Kenneth Noland Prints and Multiples

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Lithograph with offset lettering Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame inclu...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Kenneth Noland (1924 – 2010) is one of the most important contributors to the evolution of American abstraction, specifically as a leading figure in the Color-Field movement. Unlik...

KENNETH NOLAND (hand signed and warmly inscribed to artist Arthur Secunda), 1977 Hardback monograph (hand signed and warmly inscribed to renowned artist Art Secunda) Warmly signed, d...

Kenneth Noland NOLAND (Hand Signed), 1986 High Quality Continuous Tone (No Dots) Lithographic Poster on thick paper. Hand signed and dated by Kenneth Noland on the front. Published by R. H. Love Galleries, Inc, Distributed by Jannes Art Publishing, Chicago, USA, Designed by Bobbye Cochran and Associates, Printed by Black Box Collotype, Continious-Tone Printers, Chicago, USA Vintage frame included Uniquely signed. True collectible when hand signed. This exquisite collectors' item - an original collotype-continuous tone Kenneth Noland was published in 1987 by the R. Love Gallery, Chicago. It depicts one of Noland's classic Chevron paintings...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Kenneth Noland Limited Edition Canvas Tote, 1977 Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp 15 × 15 inches Edition 268/500 Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500 Very good vintage condition with handling and creasing (see photos) This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Kenneth Noland (1924 – 2010) is renowned for his contribution to American abstraction. He is also one of the key artists of color-field painting. Unlike some of his contemporaries, N...

Kenneth Noland (1924–2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field mo...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the...

Kenneth Noland Marron 1990 Etching and Aquatint on Guarro Paper 40cm x 59cm Initialed and numbered in pencil on recto, with publisher's blindstamp

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the Color-Field movement. Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland nearly rejected printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested in using their applications to make unique one-of-a-kind artworks. This unique and intimately-scaled monotype is an excellent example of Noland's signature forms and aesthetic from the late 1970s/early 1980s. The chevron was a frequently employed motif of his, first debuting around 1963 and realized repeatedly through the years in different styles and medium. Here, Noland dissolves the strict geometric lines of his signature chevron or pointed "V", overwhelming the structure with color that appears to be either smeared, splattered or scraped. Lavender, pale rose, mauve, cornflower, chartreuse, ocean blue, ivory and pearl shift into and out of each other, yet avoiding the clear-cut stacked triangular outline of his signature chevron arrangement. Noland's chevrons are some of the most iconic and desirable works in the 20th-century art canon. This piece is a fine example of one of Noland's creations that showcases his ingenuity and mastery of color. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Chevron" 1983...

This pieces is one of a series of works in which Noland depicts symmetrical chevrons, or V-shaped figures, stacked upon one another, their points facing downwards. He utilizes a soft...