Kevin Ryan Art

'Street Scene In Montmartre' from the Paris In Colour Series 1956-61 By Peter Cornelius Crowds on the street, Rue Norvins, Montmartre, Paris. From the series Paris in Colour, 1956–...

Paris Colour Scene from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2023 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Il Pellicano Pool - Porto Ercole Hotel Il Pellicano Swimming Pool Sea Views by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Il...

Buckingham Palace Garden Party England 1985 by Homer Sykes oversize 60x40 inches / 152 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Whisky Dance III (Sidewinder), 2005 20x24cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 3207, not mounted Stefanie S...

Bunker Filing cabinet, vintage interior photograph from Richard Heeps' Vietnam series, This is not America. This artwork is a limited edition of 25, gloss photographic print, dry-mo...

Paris Scooter from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 150 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Boys In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 30 x 40 inches/ 76 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options avail...

'Schwarzenegger Is My Idol 10' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 20 x 24" inches paper size. by Sergey Melnitchenko 2012-2013 “Schwarzenegger Is My Idol” is the story about the young guys from Nikolayev (Ukraine) who are united by one thing – it’s a goal to become the best of the best and they will do everything possible to achieve it. The photos show the young people who engage in athletics, acrobatics, fitness, and bodybuilding. I asked one of the boys to tell me what role his hobby plays in his life. Here’s what he told me: “For me, my sport is what I live for. Daily control and hard work – that leads me to success. Sport disciplines a man, enables him to understand the value of labor, the value of choice. I always wanted to be something more than an ordinary man in the street, more colossal than an ordinary representative of the society, so in my sport I do all the best I can, because I want to reach the top”. Why are my 'models' naked on photos? I think it adds them a kind of courage and naturalness. Of course it also looks funny and ironic. About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

Paris Ostrich from the Paris In Colour Series 1956-61 By Peter Cornelius 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options avai...

Children Playing In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 12 x 16 inches / 31 x 41 cm paper size Printed 2022 Archival pigment print Framing and size op...

Fabien (The Last Picture Show) triptych - 2005, 30x30cm each, Edition of 10 plus 2 Artist Proofs. 3 Archival C-Prints, based on the three original Polaroids. Certificate and sign...