Knót Artesanal Seating

Stacked lamination of ash hardwood with a maple top, turned on a lathe. This pleasing sculptural object can be used as a side table or stool for seating. They look great in this natu...

Part of the MiMi series, this Minimalist, versatile stool or end table accents the home and office. Clean, faceted geometry and painted surfaces add depth and sophistication while th...

This bench is composed of a Corian top floating on an elegantly detailed walnut frame. It is large enough for one's imagination or a group conversation. Spanning 7' long, it commands environments while subtly disappearing like its double miter joints that waterfall into the walnut grain. The bench is sawn from long hand-selected boards, carefully milled with a miter joint detail that cascades or 'waterfalls' a continuous grain from the seat down through the legs. To further accentuate the bench's slender span, we chose a double miter cut on the edge profile that almost makes the Bench's thickness at first glance disappear. The white-to-walnut bench refines the moment of repose. Its minimalism is as seductive as its touch to the senses. This bench is versatile and can just as easily define a vestibule or gallery window as it will sit aside a matching dining table. Finished in Tung oil it maintains a natural look and feel for the locally sourced black walnut. This item is available in custom sizes or finishes upon request. Due to natural materials used, the object received will be unique in material figuring and coloration. No item assembly or installation is necessary. Care for the object is minimal and can be conditioned every 2 years to maintain the original finish. All of our pieces are originally designed and handmade in the Brooklyn, NY based Figure+Ground studio; we don't believe in the separation of design and fabrication. Each item is handcrafted, serialized, and shipped with a “Certificate of Authenticity”, documenting its place in history. Own an original Figure+Ground Piece...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

Combining wrought iron frames with sculpted wood seats and backs. Uncommon black finish go well with the sturdy black frames for a sleek modern look. Lee Woodard...

Teta (translate into English as "Nipples ") is a side table that forms part of a trio of pieces called the "Tríptico Infame" (Infamous Triptych). The “Tríptico Infame” is a look ...

Stacked lamination of ash hardwood with walnut top, turned on a lathe. This pleasing sculptural object can be used as a side table or stool for seating. Available in black, natural, ...

The stool is a central fixture of Chinese furniture culture. Found in a variety of materials and forms, the stool transcends class lines, as much at home in the provincial courtyard ...

Italian midcentury bench with backrest. Perfect for a small space or the end of a bed. Dark wood legs. Recovered in an off-white bouclé fabri...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

Anca (translate into English as "Hips") is a side table / stool that forms part of a trio of pieces called the "Tríptico Infame" (Infamous Triptych). The “Tríptico Infame” is a loo...

Anca (translate into English as "Hips") is a side table / stool that forms part of a trio of pieces called the "Tríptico Infame" (Infamous Triptych). The “Tríptico Infame” is a l...