Koinor Furniture

Pair of wicker armchairs with an organic shape and curved backrest and bamboo cane base Product details Dimensions 64 W x 103 H x 97 D cm

Black leather Italian Sofa couch. Gorgeous vintage piece!

So many incredible aspects to this pair of monumentally sized 'Jennifer' lounge chairs by Michael Taylor, circa 1970s, we will attempt to list them all in this description. First, and most noticeably, is the size. They are huge, humungous, monumental, enormous... I mean, they are incredibly large. You can easily fit two people and a dog in a single chair and have room to cuddle, snuggle, hang-out, watch a movie, have drinks in an intimate setting, or even fall asleep comfortably cradled. It's not just how wide they are but also the depth also provides a dramatic increase in overall 'lounging' footprint of the chairs. These chairs are so large, they shouldn't even be called chairs, they are somewhere between a loveseat and a daybed - perhaps they should be called lovebeds instead? The second thing that we absolutely love about these chairs is its design history. The Jennifer chair is one of Michael's earliest designs. Michael designed it for actress Jennifer Jones (Mrs. Norton Simon), she asked him for a chair that she could curl her legs in and relax and this monumental chair...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Modular corner sofa, leather, Italy, 1970s A spacious L-shaped modular Italian corner sofa, upholstered in firm cognac leather. The cushions are generously padded with a rounded, pl...

Comfy burgundy leather sofa, with brass studs. Classic form, original condition, clean, ready to use. Cushions do sit flat, they were just not p...

For sale is a stunning vintage Italian sofa from the 1970s, embodying the sleek and minimalist design of the era. This exquisite piece features a low profile, clean lines, and genero...

Original B&B Italia Diesis Divano (3-er Sofa) Designer Antonio Citterio & Paolo Nava Traggestell und Füße: Aluminiumguss und Stahlrohre Sehr guter...

Pair of chrome tube frame design extra wide seats lounge chairs by Cassina. Bauhaus Le Corbusier style. Made in Italy. Textured velvet like fa...

Modular Corner Sofa “Deca” Series Design Tito Agnoli Techniform Collection – Arflex Production. Italy 1970. Original manufacturing stamp. Single module dimensions 70 W x 65 H × 87 D ...

Set of 2 Cambridge Lounge Chair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. With an elegant design inspired by the eternal surroundings of bohemian life, Camb...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...