K.R.H. Sonderborg Art

Indian ink on paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

India ink and acrylic paint on archival watercolour paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science...

Tribal Sign, 1987 Signed and dated in pencil with publisher's blindstamp Eleven color lithograph on mauve TGL handmade paper Sheet: 24 x 18.5 inches Frame: 33 x 27 inches Edition 25 ...

Louise Nevelson (1899-1988) Dusk in August (1967) Lithograph with embossing Size: 17 x 22.25 in (43 x 56.4 cm) Frame size: 21.75 x 26.75 in (55.25 x 67.95 cm) Edition of 100, this i...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Zhang Hui (b. 1969) Untitled Calligraphy Drawing (from the Memorial Sloan Kettering Art Collection), 2007 India ink on hand made fine art paper Signed and dated in graphite pencil on...

This artwork is a screenprint titled Let It Be Your Privilege to Have No Privilege (1979) by the American artist and educator Sister Mary Corita Kent (Sister Corita). Artwork Details...

Robert Motherwell Untitled (from Portfolio 9), 1966 Lithograph from one zinc plate printed in blue, 1966 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's tra...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

Indian ink and marker on archival paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International F...

A very good impression of this scarce lithograph on Arches buff paper. Signed, dated and numbered 17/60 in pencil by de Kooning. Printed by Hollander's Workshop, Inc., New York. Co-p...

This lithograph is part of my private collection. It is limited in edition artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impress...