Kurt Moyer Abstract Paintings

Ebbing tide is an original landscape painting by Stephen KInder. This painting was completed on location in the late summer of 2019. The painting was completed on West Wittering...

Oil on board, orange cliff top montbretia Oil on Board 23 H x 23 W x 3 D cm (9.06 x 9.06 x 1.18 in) Sold framed Image size: Height: 20cm (7.87 in) Width: 20cm (7.87 in) Complete s...

Summer view over Dover’s Hill by Ruper Aker. The work is sold framed and ready to hang. It is green and yellow with thick oil paint on the canvas. The work is in the gallery.

Danny McCaw's (US based) "Patterned Rug" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure. Bio/artist statement: Danny McCaw is...

“Sunny Bloom” is a luminous contemporary floral still life by French artist Natalya Mougenot, part of her ongoing exploration of expressive floral painting. Inspired by artists such...

Title: Color On Mountain Medium: Oil on canvas Size: 15.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Created in two parts (diptych), the expressionistic modernist, impressionist landscape also reads as an abstract, non narrative work.. Stephen Henriques creates oil paintings that mo...

Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...

Sunset coming is an original landscape painting by Stephen Kinder. The painting has a strong gestural composition and loose brushwork, which heightens the changing light, and tide. ...

Summer bales on the Cotswolds Additional information: Oil on Board Sold framed   Additional information: Oil Paint on Board 27 H x 33 W x 3 D cm (10.63 x 12.99 x 1.18 in) Sold frame...

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...