Lafer Seating

A sleek modern design from the 1970s and made in Denmark. The chair features solid wood construction and cognac leather upholstery. Very comfortable. In the style of Percival Lafer.

*Please note: We have three of these chairs available. This listing / price is for one chair. Introducing the Percival Lafer MP115 Modular Sofa/Chairs –...

In the world of design, Percival Lafer was a visionary dedicated to enhancing both comfort and aesthetics. His innovation led to the creation of the dual MP-97 lounge chairs, which e...

Percival Lafer “MP-41” armchairs for Lafer MP, wood and cognac leather, Brazil, 1972 The “MP-41” armchairs by Percival Lafer embrace fluidity with a structure that appears weightless despite their solid wood frames. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon...

Original condition.

The MP-91 armchair, designed by Brazilian designer Percival Lafer, features a solid Jatoba wood frame and cognac-colored leather upholstery.

Percival Lafer “MP-41” living room set for Lafer MP, wood and cognac leather, Brazil, 1972, set of 3 The “MP-41” living room set by Percival Lafer, composed of a sofa and two armchairs, embraces fluidity with a structure that appears weightless despite its solid wood frame. The absence of visible crossbars beneath the seat enhances this effect, allowing the thick, tufted cushions to seemingly float. The upholstery drapes over the structure like silk fabric on a sculpted form, a harmonious integration of material and frame. The butterfly-shaped joints refine the frame’s construction, tapering toward the center for a softened profile. The lateral tufting on the seat is not merely decorative—it creates a structured geometry that follows the contours of the body. The armrests, backrest, and seat merge into a single, uninterrupted form, maximizing ergonomic support. Leather straps secure the cushions to the frame, a signature Lafer detail that blends artisanal technique with industrial efficiency. The MP-41 prioritizes organic curves over strict geometric lines. The deep cognac leather, aged to a rich patina, enhances the warmth of the wood. The absence of ornamentation shifts focus to the raw materials, celebrating their natural textures and variations. Unlike Jean Gillon’s “Tijuca...

1.708 / 5.000 The MP-41 armchair, designed by Brazilian designer Percival Lafer in the 1960s, is an icon of Brazilian modernism, known for its bold, innovative, and comfortable desi...

Sofa Mod. MP-13, 1960's Made by Lafer S. e Co, Sao Paulo Rosewood, chrome and faux leather H 70 x L219 x W80 x Seat Height 41Percival Lafer Mid-Century Brazilian sofa made of Walnut ...

Crafted by the renowned master Percival Lafer in 1970, this exceptional piece of furniture boasts a striking and comfortable design. Its clean lines and unique details, such as elega...

Vintage 1970’s Brazilian Modernist Loveseat designed by Percival Lafer, pioneer of the Brazilian Modernist movement. This is the model MP-163 Earth loveseat in original butterscotch ...

A deeply expressive example of Brazilian modernism, this 1960s MP91 sofa by Percival Lafer captures the moment when structure, comfort, and craftsmanship were treated as equals. The...