Lajos Mack Furniture

A pair of oversized bottles or vases designed by Otto Brauer for Holmegaard. Denmark, circa 1960. Tinted glass. Measures: H- 19.5", H- 17".

Lovely period Austrian Art Nouveau bronze table lamp. This beautifully detailed, high quality Austrian bronze lamp has been newly wired and would w...

A figure of a standing young lady finely carved in white alabaster. She is shown dressed in an almost ‘flapper’ style skirt as she leans with her elbows against an ochre mottled rectangular alabaster column on a further stepped base. Her eyes are almost closed as if she is dreaming. The lower rectangular column supports a fluted round column which holds a hollowed white alabaster bowl...

One side featuring a turkey the other side featuring a seated turkey. Stamped Zsolnay Pecs. Made in Hungary. Inscribed artists initials K.M.

Beautiful Art Nouveau lamp, circa 1910. Brown-veined alabaster shell. The base is bronze with floral decoration. Electric and in perfect condition. Total Height: 52 cm Shell Diamete...

Majorelle Art Nouveau lamp Large lamp around 1900 foot in gilded bronze and lampshade in alabaster. Very good quality of bronze and pretty floral m...

Pair of Art Nouveau WMF twin handled vases, featuring maidens wearing flowing dresses. The bottom of the dress forms the base. A flowering tree flows up from the base. Complete with ...

Art Nouveau vase by Svend Hammershøi for Kähler. Executed in glazed earthenware with a beautiful, deep green glaze. Classic baluster shape, richly modeled with organic relief decorat...

Stylized Art Nouveau eosin green porcelain fox sculpture by Zsolnay of Hungary, circa 1940s. Gorgeous piece with an iridescent finish that is in very g...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

Set of two 1920sArt Nouveau hand-crafted table lamps by Georg Thylstrup for P. Ipsens Enke The hand-crafted art nouveau table lamps were designed by Georg Thylstrup in 1927 and feat...

Very large vase with a circular foot, a conical body with pronounced shoulders, and a tapering neck decorated with relief fern motifs. The oxblood red ground glaze highlights the de...