Laurie Litowitz Art

A mixed-media lens-based work in a color-field style with an emphasis on color, Roberta Fineberg paints with oil and watercolor pastels, rendering her subjects (books) abstract. Art ...

A contemporary mixed media work Roberta Fineberg’s Tell Me A Story I, 2025 shot in Paris, one of the book capitals of the world, is in a pink color wave. The square format art is co...

A contemporary mixed media work Roberta Fineberg’s Tell Me A Story II, 2025 shot in Paris, one of the book capitals of the world, is in an emerald color wave. The The square format a...

Floating, 2021 by Isabelle Schneider is a contemporary photographic mixed-media work that captures an idyllic summer afternoon-- an expansive sky, sunlight, and cumulus forms are ref...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

hard to photograph image (comes framed in white frame) Art size is 24x18 framed 26x20 Grease Pencil on Photograph Unique Very hard to photograph due to paper shine & grease pencil...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

Part of the “Wooden Postcards” series by husband and wife team Hugo Garcia-Urrutia & MK Semos, "Rays of City Light" is shot using cross-processed medium format film and a Holga camera. The imagery is a vibrant New York City street scene, showing an iconic yellow taxi cab and abstract orange patterns and "rays of light" emulating from the buildings. The frames are manually juxtaposed inside the camera to create “rays” emulating from the urban chaos of taxi cabs and skyscrapers. Urrutia crafts the substrate from white oak flooring, with the natural wood grain becoming an essential element of the composition. The choice of white oak, with its natural grain visible through the film overlay, reinforces a sense of history and urban grit, allowing the wood itself to become an active part of the composition. HUGO GARCIA URRUTIA Hugo Garcia Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson, and University of Dallas and the McKinney Avenue Contemporary (MAC) in Dallas curated by Charissa N. Terranova. Together with the AA-DLAB 2012 team, Urrutia presented the Fallen Star at the Architectural Association Back Member’s Room. MK SEMOS MK Semos is a Greek-American artist whose work is deeply rooted in her passion for storytelling. Raised in Dallas, Texas, her artistic journey began at the Booker T. Washington School for the Performing and Visual Arts and later at the University of Texas at Austin, where she earned degrees in photojournalism and photo illustration. It was in New York City during the vibrant 1990s that her artistic vision crystallized. Captivated by the city's energy, Semos photographed its dynamic urban landscapes and eclectic people, using her SL 66 Rolleiflex camera to capture movement and emotion. Even after three decades, she finds endless inspiration in the city’s pulse, describing it as an "endless source of inspiration." Semos’ work spans travel, portraiture, and environmental photography, with her mastery of the Holga camera earning her recognition in publications like New York Magazine, Business Traveler, and Timeout NY. Alongside her husband, Hugo Garcia Urrutia, she co-founded DeCorazon Gallery, showcasing global artists and exhibiting her own works in prestigious art fairs around the world. Semos also serves on the board of the Association of Women Art Dealers...

Eternal Recurrence #70 by Natasha Zupan Photo collage with intervention by the artist Image size: 59.5 in. H x 48.5 in. W Frame size: 63 in H x 53 in W x 1 in D Framed 2015 ________...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

Andy Warhol, Parlour, East 66th Street NYC, 1987 4X5 In Format Film Chromogenic Print on Archival Paper *Also available on Aluminum. Please inquire regarding sizing and prices* Available sizes: 24 x 20 inches - $13,000 Edition size: 10 48 x 40 inches Edition size: 5 Signed, titled, dated, and annotated on the reverse. Also shown: • American School, 19th Century Child With Blue Dress and Red Tassels • Egyptian Revival Parcel Gilt and Painted Armchair early 20th Century. Legs formed as walking lions. ”Gamble has superimposed a day-glo image of Warhol- in the style of his own acid-hued screenprints– into the house. Andy’s ghostly presence imbibes the images with a strange sense of Warholian immortality” - ID Magazine...