Lee Adler Art

This artwork "Untitled #1" 1970 is an original silkscreen on Wove paper by noted British artist Ian Tyson, born 1933. It is hand signed, dated and numbered 60/75 in pencil by the art...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant I" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edit...

SOL LEWITT (1928 – 2007) Grids and Color Plate #41 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

Josef Albers Homage to the Square (from "Son oeuvre et sa contribution à la figuration visuelle au cours du XXe siècle") 1972 Silkscreen Print in brilliant colors on wove paper Image Size: 8.75 × 8.75 inches(22.23 × 22.23 cm) Sheet Size (approx.): 10.5 × 12 inches (26.67 × 30.48 cm) Framed Size: 13 × 13 × 0.5 inches (33.02 × 33.02 × 1.27 cm) Unsigned; as published Edition: ~1,500; not individually numbered Published by Dessain et Tolra – 1972 Printed with an additional image verso as issued Serigraphs by Herbert Geier, Ingolstadt, Germany & Ives-Sillman, Inc., New Haven, Connecticut, USA Gallery-issued COA available upon request The Homage to the Square series is Josef Albers’s most celebrated and influential body of work, produced between 1950 and his death in 1976. Consisting of hundreds of paintings, the series explores the interaction of color through a deceptively simple compositional structure: nested squares arranged concentrically on a flat surface. Despite its geometric restraint, the work is fundamentally about perception—how colors shift, advance, recede, and transform in relation to one another. Albers applied paint directly from the tube using a palette knife, avoiding visible brushwork to eliminate gesture and emphasize color relationships as the primary subject. Each composition is carefully calibrated, demonstrating how identical colors can appear dramatically different depending on their surrounding context. The result is a dynamic visual experience in which depth, vibration, and spatial illusion emerge purely through chromatic interaction. The series reflects Albers’s theoretical contributions, particularly his seminal book Interaction of Color (1963), in which he articulated his belief that color is relative rather than absolute. Rather than expressing emotion through imagery, Albers invites the viewer into an active perceptual process, making the act of seeing itself the central theme. Homage to the Square remains a cornerstone of modernist abstraction and color theory, influencing generations of artists, designers, and architects. Works from the series are held in major museum collections worldwide and continue to be studied for their rigorous investigation of visual perception. Homage to the Square, Josef Albers square...

Screenprint by Max Bill. From the portfolio "Kinderstern". No Title, 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)

13-color silkscreen. Edition 114/250.

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

This exquisite silkscreen by Ellsworth Kelly (1923–2015), titled Red Blue, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Athen...

This exquisite silkscreen by Frank Stella (1936–2024), titled Rabat, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Mu...

Richard Serra Silence, For John Cage (Hand Signed), 2016 Offset lithograph (hand signed by Richard Serra) 29 inches vertical × 39 inches horizontal Boldly signed in black marker on t...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Ed Ruscha (b. 1937) Grey Suds, 1971 (from the series 'Suds Suite') Screenprint in colors on Arches paper Edition 34/100 (there were also 15 artist's proofs) Signed, numbered, and dat...