Linda O'Hagan Art

Black and white figurative abstract lithograph of two naked, crouching figures by California artist "Rico Lebrun," titled "Crouching Figures" and dated 1961. Additional writing on th...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, brown, and purple ink. The...

This handmade cyanotype monotype presents a striking interplay of geometric abstraction and atmospheric depth. Layered translucent forms in deep Prussian blue and soft white overlap ...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Hand signed and numbered Aquatint Etching Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy...

Donald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...

An important 1934 WPA-era color serigraph by American modernist Hilaire Hiler (1898–1966), this dynamic work titled Native American Fox Costume exemplifies the artist’s bold synthesis of modernist abstraction, cultural symbolism, and avant-garde color theory. The composition depicts a stylized figure in ceremonial fox costume, poised with a bow and adorned with an elaborate feathered headdress, rendered in striking contrasts of black, red, and white. The result is a powerful visual rhythm that reflects both the graphic experimentation and cultural fascination characteristic of early twentieth-century American Modernism. Executed during the WPA period, this original serigraph demonstrates Hiler’s distinctive semi-abstract style, in which figuration is reduced to geometric structure and symbolic form. The flattened composition, bold outlines, and saturated palette create a sense of movement and ritual energy, reinforcing the work’s connection to mythic narrative and Native American-inspired themes common in WPA-era printmaking. The artist’s engagement with color theory and structural design is evident throughout, making this an especially strong example of his print oeuvre. Hilaire Hiler was a key figure in American modernism, known not only as a painter and printmaker but also as a color theorist and educator associated with WPA mural projects, including work for the Aquatic Park...

Raise your hand if you love going to the dentist. Well, imagine being one. The hours on your feet, the aroma of your patients’ ailing teeth, their complaints about their wife/kids/mother-in-law/politics—and their unbearable pain, ad infinitum. Oh, and the sameness of the problems you are asked to solve day in and day out in the endless battle against dental decay. Brain cell death could be an occupational hazard. Unless you have imagination. The artist of this wonderfully surreal original lithograph, David Solot...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Artists Rights Today Ethel Scull's Place Scarce mid 1970s Offset lithograph poster Ethel Scull (and her husband Robert) who inherited and made their money as taxicab magnates, was on...

Frank Stella The New York State Christopher Columbus Quincentenary Commission, 1991 Offset Lithograph Printed in Colors Signed and dated by the artist in ink on the lower right fron...