Lionel Bulmer Art

SUNLIT TREE Size: 38 x 53 cm (including frame) Oil on Canvas A striking and surreal mid century modernist landscape that blends abstraction and symbolism, painted in oil onto canvas...

American modernist abstract cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

Impressive early American impressionist theatre interior painting. Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

This vintage 1950s-1960s oil painting titled 'Old Airfield in Capitola, California' beautifully captures a serene Northern California landscape. The scene depicts a lush countryside with vibrant trees, a charming white house with a green roof, a red tractor...

Oil on table realize by Michele Ricciuti in 1980s. Hand signed. In good condition, includes a contemporary wooden frame.

Signed lower left, 'Unik' for Leonid Unik (Ukrainian-Hungarian, born 1951) and inscribed, verso, on stretcher bar, with signature and title, 'Hongre' (Hungary). Leonid Unik first st...

Elm trees in autumn at the edge of Salt Creek, Illinois, by Mary H. Brubaker (American, b. 1891). Signed and dated "Mary H. Brubaker 35" in the lower left cor...

New Black & White Mixed Media on board, a monochrome interpretation of a mountain landscape. Peter Rossiter was born in Cambridge, UK in 1950 and studied at York University & The Courtauld Institute, London. Peter's background is rooted in the global art world; his Grandfather was the German artist Martin Bloch...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Oil on canvas realized in the mid-20th Century by Francesco Settimj. Good condition.