Liz Tran Abstract Paintings

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

The Babylonian Exile was an important event in Jewish history. In the 6th century BCE, the Jews were exiled to Babylon. They were forced to stay there for several decades until a Per...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Diane Ayott’s abstractions on paper, canvas, and panel are luxuriously physical objects resulting from the accrual of layer after layer of paint, color, and pattern, launched by imag...

A Fabulous, large, Original painting on canvas by Canadian artist Fahri Aldin. This One of a Kind Masterpiece measures an impressive 78 x 87 inches or 198 x 221 centimetres. It is s...