Shady Hollow Motel, Green River, Utah, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on three shaped ragboard panels in artist-made frames.
2010s Photorealist Lloyd Brown Art
Acrylic, Rag Paper
Shady Hollow Motel, Green River, Utah, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on three shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Hazen Market, Hazen, Nevada, Alternate US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on four shaped ragboard panels in artist-made frames.
Acrylic, Rag Paper
Early Morning, Downtown Holly, Colorado, US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on five panels in three interlocking frames
Acrylic
Kit Carson, Colorado
By Lloyd Brown
Located in Dallas, TX
n Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States on...
Wood, Acrylic, Cardboard, Rag Paper
First Presbyterian Church, Hillsboro, Ohio; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
Eastbound Freight Train, Colorado; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on panel in an artist-made frame. The overall dimensions, including the frame, are 8 1/2 x 12 3/8 x 1 3/4 inches.
Acrylic, Panel
$9,000
Steve Calls Home on the Loneliest Phone in America, US Highway 50, Nevada
By Lloyd Brown
Located in Dallas, TX
This is acrylic, paint can stir stick, consumer packaging, fabric, wood, graphite, charcoal, sandpaper and sand.
Fabric, Wood, Charcoal, Acrylic, Graphite
$132,000
H 78.75 in W 177.17 in D 0.04 in
The Last Song – XXXL Figurative Painting in Acrylic & Oil Pastel on Canvas, 2026
By Claus Bertermann
Located in OVIEDO, ES
The Last Song is a monumental figurative painting that marks a decisive moment in Claus Bertermann’s oeuvre and his first figurative work presented on 1stDibs. Measuring an imposing ...
Pencil, Oil Pastel, Canvas, Acrylic
Revel Restaurant, Acrylic on Panel
By Charles Ford
Located in Southampton, NY
Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...
Acrylic, Wood Panel
$6,500
H 18 in W 25 in D 1.5 in
Finest Coffe and Tea, 18x25x1.5, Acrylic on Masonite
By Charles Ford
Located in Southampton, NY
Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...
Masonite, Acrylic
$2,790
H 39.38 in W 55.12 in
Large Contemporary Abstract Figurative Landscape With Mountains Painting
By Steffen Bue
Located in Frederiksberg C, DK
This abstract landscape painting by Danish artist Steffen Bue immerses the viewer into a new interpretation of color, form, and movement. With a zoomed-out perspective, Bue crafts a ...
Canvas, Acrylic
$8,900
H 70.87 in W 70.87 in
Extra-Large Skyscape Dramatic And Structured Heaven By Alejandro Hermann
By Alejandro Hermann
Located in Frederiksberg C, DK
Introducing an extra-large painting, measuring an impressive 180cm x 180cm/70,9in x 70,9 in by the visionary artist Alejandro Hermann. Within this painting you experience an contempo...
Acrylic, Wood Panel, Putty
$2,572
H 51.97 in W 36.23 in D 2.76 in
Large Contemporary Textured Mixed Media Painting By Anette Holmberg
Located in Frederiksberg C, DK
This is a beautiful and tranquil acrylic painting. At a first glimpse, the painting looks subtle, but multiple soft and fine nuances, forms, and textures appear when you near in. The painting evokes a feeling of Nordic minimalism. The painting is made by Danish artist Anette Holmberg...
Acrylic, Canvas
$2,790
H 39.38 in W 55.12 in
Extra-Large Landscape. Contemporary Figurative Abstract Orange Horizon Painting
By Steffen Bue
Located in Frederiksberg C, DK
Adventure Ahead, a captivating abstract contemporary landscape by Danish artist Steffen Bue. This impressive 100 x 140 cm (39.37 x 55.12 in) acrylic painting draws viewers into a thr...
Canvas, Acrylic
$1,156
H 15.36 in W 9.45 in D 0.79 in
Poésie Muette, Oil on Canvas, Contemporary painting, Water Reflections, Rain
Located in AIX-EN-PROVENCE, FR
Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Oil and Acrylic painting on Canvas. Artist : Deniz Bayav Subject : Poésie Muette (Title) Signat...
Canvas, Oil, Acrylic
$4,000
H 32.5 in W 41 in
1980s Vintage American Street Scene Painting, Landscape with Taxi Cabs
By Val Lewton
Located in Surfside, FL
Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburban scenes, predominantly in the Washington, D.C., area, where he lived and exhibited. Val Lewton was born May 23, 1937, in Santa Monica, California. His father, also named Val Lewton, produced a string of successful and influential B movies for RKO Pictures, including Cat People (1942) and I Walked with a Zombie (1943). His mother, Ruth Knapp, was a painter and teacher of autistic children. He graduated in 1959 from Whitman College in Walla Walla, Washington, and earned a master's degree in fine arts from Claremont University in 1962. After moving to Washington, D.C., he served on the staff of the Smithsonian American Art Museum for 32 years, simultaneously maintaining a career as a painter in his own right. Lewton died in 2015s oon afterwards, exhibitions of his paintings were planned for the Katzen Arts Center (June 17 – August 13, 2017) and Addison/Ripley Fine Art (June 3 – July 8, 2017). Chiefly known for his landscapes, Lewton generally depicted cities and suburbs with a detached, impersonal sensibility. Writing about his watercolors in Arts magazine in 1980, Harry Rand observed, “Either by implication or statement, personalities are absent from Lewton’s work; there is hardly a sense of the lives that move through those spaces he describes.” The critic compared the artist to Fairfield Porter, Edward Hopper, and Charles Sheeler. Lewton painted from a young age. On a family trip to the Museum of Modern Art in New York City, he discovered the work of Henri Matisse, an encounter that permanently influenced his artistic vision. In the early 1960s, Lewton lived in southern California and taught art classes at the University of California Riverside. During this period, he was inspired by the paintings of Roger Kuntz...
Acrylic, Archival Paper
$1,343
H 16.15 in W 11.82 in D 0.79 in
Dérive, Oil on Canvas, Contemporary painting, Water Reflections, Leafs, Nature
Located in AIX-EN-PROVENCE, FR
Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Oil and Acrylic painting on Canvas. Artist : Deniz Bayav Subject : Dérive (Title) Signature : T...
Canvas, Oil, Acrylic
$2,919
H 35.44 in W 27.56 in D 1.19 in
Untitled 9 - Series Final Fantasy, Minutiae Contemporary Figurative Painting
By Magdalena Peszkowska
Located in Salzburg, AT
Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in ...
Acrylic, Cardboard
$5,690
H 59.45 in W 79.53 in
"Ribbon" Extra-Large Contemporary Landscape Painting By American Martin Hoffman
By Martin Hoffman
Located in Frederiksberg C, DK
Introducing "Ribbon," an extraordinary painting from the "Jersey Meadow Series" by Martin Hoffman in the 1970s. From the 1970s onwards, Hoffman's career showcased a masterful combination of beautiful painting techniques and challenging subject matter. This contemporary painting depicts an abandoned landscape with a hypnotic blue plastic ribbon at its center. Hoffman's landscape creates an almost mesmerizing effect, where the subject matter of destruction and decay is presented poetically. The warm shades of grey with hints of blue, brown, and purple create a limited yet powerful palette that enhances the melancholic beauty of the painting. The painting measures 151cm x 202cm / 59.5in x 79.5in and is signed 'Martin Hoffman' on the reverse side of the canvas. It is titled 'Ribbon' and is dated '73.' Additionally, the artist specifies that the painting is part of the 'Jersey Meadow Series.' It is ready to hang and comes with a silver-painted frame. The condition of the painting is great, with hardly any signs of wear. The frame has a few scratches but is otherwise in good condition. Artist Bio: Martin Hoffman was a versatile artist and illustrator, mostly known for his paintings. He was a self-taught painter and a gifted drummer who had worked as an art director for the Miami News, Graphic Arts Inc., and Steiner & Wall Advertising. In 1973, Martin Hoffman landed his first solo exhibition at the OK Harris...
Canvas, Acrylic
Sold
H 10.94 in W 8.69 in D 1.88 in
Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf
By Lloyd Brown
Located in Dallas, TX
Lloyd Brown (American, Born 1957) "Imitation of Nature Number 30: An Impaled Drawing of an Autumn Leaf," 1998 mixed media 10 15/16 x 8 11/16 x 1 7/8 inches including artist-made fram...
Mixed Media
Railroad Crossing, Millard County, Utah
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Canvas, Oil
Large Puddle, Offerle, Kansas, US Highway 50
By Lloyd Brown
Located in Dallas, TX
In Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States o...
Acrylic, Rag Paper
Grain Elevators, Stafford, Kansas
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic, Rag Paper
Hinckley, Utah; US Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on a shaped ragboard panel in an artist-made frame.
Acrylic
Sold
H 8.38 in W 23.25 in D 1.38 in
Amtrak a Passing Shadow, Granada, Colorado; U.S. Highway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on two ragboard panels in artist-made frame hinged with fabric. Dimensions are variable, as determined by extent to which the panels are opened. ARTIST STATEMENT I...
Acrylic
Sold
H 9.88 in W 13.88 in
Green River Bible Church with Sepia Colored Sky, Green River, Utah, USHighway 50
By Lloyd Brown
Located in Dallas, TX
This is acrylic on ragboard panel in an artist-made frame.
Acrylic
Hayward's Quick Stop Knippa, TX March 1990
By Lloyd Brown
Located in Dallas, TX
"As a child, art lay in the mountains, valleys, farms, and small towns of Utah. Art was those things that one might identify as nostalgia. It was not a gas station, picnic area, motel, or place to stop and get a hamburger. What I saw and realized in Richardson was that all things are significant and nostalgia wasn't necessarily confined to the distant past. In painting, the Grand Canyon and a garbage can are equal. It is not what they are, but the note of recognition they carry that one responds to. As I sit at home in my trailer in Utah, I am aware of the blue in the sky. I listen to the songs of birds and the faint hum of a lawnmower. Occasionally, a car will drive by. There is vacuuming to do, a bed to be made, and all around me there seem to be notes of recognition. The sky reminds me of other skies. The day reminds me of other times and places. These times could be Houston or Phoenix. Some of these places could be Braum’s Ice Cream, Helene's, or a field of sunflowers. These are notes of recognition. And McDonald’s and a cloud formation may just be the carriers. For the past nine years I’ve been making dioramic scenes of Texas, Utah, Nevada, Arizona, Colorado and New Mexico. Some of the scenes depict wide open spaces. Others are more concerned with the suburbs. In all cases, I try to make the rendering true. I don’t shuffle or delete things to fit the compositional demands of art. I never look down a highway and think that what I am seeing is incomplete or that it needs my order. My art is descriptive. It is a kind of reporting. What I do could be called an imitation of man’s nature. At a place like the Palace Cafe, pick-up trucks are parked out front. Old Coca Cola signs with a weathered cafe sign rest on an awning stabilized by iron cables. The building may have been a hotel, department store or a bank. A red sports car sits across the street. In the noon day, street lamps tower. In the blue sky, power lines cross. And out in the parking lot, there is a crushed Dairy Queen...
Mixed Media