Lloyd Ullberg Landscape Photography

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Night, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a...

A powerful vintage gelatin silver photograph by acclaimed American photographer Myron Wood (1921–1999), titled "Sheep, Storm, South Park, Colorado," created in 1967. One of Wood's mo...

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the definitive body of work that established her as...

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection of the buildings on the water of the canal with a gondola. Sheet is 14 x 11. Photo image measures 7.5" by 8.5" Stanley Twardowicz (1917 – 2008) was an American abstract painter and photographer. Twardowicz was born in Detroit, and studied at the Meinzinger Art School during World War II as well as working in a tank factory. Twardowicz began practicing photography on a 1948 trip to Mexico, and during the 1950s and 1960s he developed his painting style, related to color field paintings and abstract expressionism. He achieved some national recognition during the years he moved to Plainfield, New Jersey and became a regular at the famous Cedar Tavern in Greenwich Village, the meeting place of fellow abstract expressionists Jackson Pollock, Franz Kline and others. The Cedar Tavern (or Cedar Street Tavern) was a bar and restaurant at the eastern edge of Greenwich Village, New York City. Known as a gathering place for avant garde writers and artists, it was located at 24 University Place, near 8th Street. It was famous in its day as a hangout of many prominent Abstract Expressionist painters and Beat writers and poets. Robert Motherwell had a studio nearby in the early 1950s, and he held a weekly salon for artists there. Willem de Kooning, Mark Rothko, Michael Goldberg, Lynne Drexler, Philip Guston, Ted Joans...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Mountains and Sky, Lake George, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Publi...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Spring Showers, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published b...

NYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA Architectural Underwood and Underwood 1939 World’s Fair Photographs 8 x 10 inches each All five prints are stamped...

In images such as this, the influence of Ansel Adams and the other members of the group f.64 is clearly evident. The group f.64 was intent on truth in the medium of photography, wanting to push the camera to see even more clearly than the human eye. To do this, they used the small aperture, marked by the f-stop 64, which allows the camera to have an expansive depth of field. In this image, the earthy and sensuous textures of the brick and stone walls stand in direct contrast to the clean lines and graphic finish of the Route 66 sign. Ferderbar's mastery of the camera as an instrument brings out these contrasts following the legacies of the earlier American masters. 10 x 8 inches, image 13.75 x 11.5 inches, sheet 16.13 x 13.88 inches, frame Signed lower right Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to inhibit fading, and housed in a modern profile silver finish wood moulding. ARTIST STATEMENT: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. -Tom Ferderbar

Title: Barns Black & White Photography Edition of 10 Also available in 20"x30" Edition of 10 *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent 27C, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a ...