Lodovico Tuminello Photography

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Racetrack by Frank Schott 24 x 40 inches (56 x 102cm) edition of 25 signed 48 x 88 inches (122 x 224cm) edition of 7 signed archival quality fine art pigment print limited art ...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

Robert Mapplethorpe William S. Burroughs Photograph Year: 1982 Size: 9.8 × 7.8 inches Stamped verso Accompanied by Radar, Basel, Edition C.L.A.G., 1982; Text in German Gallery COA ...

Elegant hand signed black & white photo highlighting the sharp contrast between the Yosemite mountain range of Mt. Lyell and the beautiful clouds above by Charles Cramer (American, b...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curvatur...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Department Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...

"Monument Valley" Black and White Photograph Stunning photograph of Monument Valley, Utah, by an unknown artist (20th Century). A gnarled, ...