Louis Joseph Soulas Art

HENRI FANTIN-LATOUR (French 1836-1904) BAIGNEUSES (4e grande planche), 1898 (Hediard 138 II/II) It’s one of 6 works that formed a suite of images published ...

This is a signed woodcut engraving entitled "Mine Shaft" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts two Russian workers constructing a mine sh...

Lithograph in colors from the original watercolors of Antoine de Saint-Exupéry for his book "The Little Prince". Limited edition, printed on Arches BFK Rives paper 250g (required be...

Lithograph of the artist Jean Hélion. 1965 Signed in pencil and numbered on 50ex in pencil by the artist. Dimensions 38 x 53 cm Support: Vellum Rives paper In excellent condition! PR...

Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

A bucolic late 19th century image of upper Manhattan. New York: 1898. Lithograph on tissue-thin Japon paper with a deckle edge, 14 1/8 x 10 inches (357 x 252 mm), the full sheet. Tit...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...

Hermann Max Pechstein Zwickau 1881 - 1955 Berlin Kleine Dampfer 1911 / Small Steamboats, 1911 Colour woodcut on yellow-greenish clay printing plate on vellum Signed and dated in penc...