Lucie Rie Vases and Vessels

A Chinese vintage altar vase from the mid 20th century, with celadon crackle finish and flaring neck. We currently have 3 vases available, priced and sold $1,300 each. Created in China during the midcentury period, this tall altar vase charms...

Nice heavily glazed pottery vase for your collection

A gorgeous mustard-yellow glazed stoneware bowl with manganese rim by famed European potters Lucie Rie & Hans Coper. The bowl is signed with each artist's impressed seals on the b...

Found in Italy, this globe-shaped marble and alabaster vase is new and was created and designed by a member of a multi-generational family of alabaster and marble craftsmen. Bardigli...

A stunning and exceptionally glazed Belgian art pottery stoneware vase by Roger Guérin and dating from circa 1930. This tall bottle shaped vase stands on a narrow rounded base and is...

A Chinese vintage oxblood altar vase from the mid-20th century, with flaring neck. We currently have several available, priced and sold $1,300 each. Created in China during the midce...

A striking Japanese woodfired stoneware vase, compact in form yet powerful in presence. Decorated with gestural abstract expressionist brushstrokes, smoke shadows, and natural kiln e...

Glazed Studio Pottery Vase Dimensions. 6 W ; 5 D ; 8 1/2 H.

Great ice of pottery for your collection

Stoneware oatmeal glazed bowl with small crater and speckled inclusions with a wavy rim with a fine manganese glazed edge by Lucie Rie (Austrian/British, 1902-1995) dating from aroun...

A gorgeous earth-toned, yellow, green, brown speckle glazed ceramic footed bowl by famed Austrian-born British potter Lucie Rie. The bowl is signed with Lucie Rie's impressed seal on the base. A rare and unique work. Simply a must for any collector of Rie's work or a beautiful stand-alone piece sure to light up any setting. Dame Lucie Rie...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...