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Artist: Luigi Aloja
Mars In His Chariot - Etching by Luigi Aloja - 18th Century

Mars In His Chariot - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Mars In His Chariot from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century. Signed on the plate. Good conditions with some folding and...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Roman Seascape - Etching by Luigi Aloja - 18th Century

Roman Seascape - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Roman Seascape Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century. Signed on the plate. Good conditions with some folding. ...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Landscapes with Monuments - Etching by Luigi Aloja - 18th Century

Landscapes with Monuments - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Landscapes With Monuments is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antich...

Category

18th Century Old Masters Luigi Aloja Art

Materials

Etching

Decoration With Animals - Etching by Luigi Aloja - 18th Century

Decoration With Animals - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Decoration With Animals is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Still Life Fresco - Etching by Luigi Aloja - 18th Century

Still Life Fresco - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century. Signed on the plate. Good conditions with some folding. The...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Decoration With Fruits - Etching by Luigi Aloja - 18th Century

Decoration With Fruits - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Decoration With Fruits is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Decoration With Animals - Etching by Luigi Aloja - 18th Century

Decoration With Animals - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Decoration With Animals is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Seascape with Monument - Etching by Luigi Aloja - 18th Century

Seascape with Monument - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Seascape With Monument is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Seascape with Monuments - Etching by Luigi Aloja  - 18th Century

Seascape with Monuments - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Seascape With Monuments is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Category

Late 18th Century Old Masters Luigi Aloja Art

Materials

Etching

Monument With Figure - Etching by Luigi Aloja - 18th Century

Monument With Figure - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Monument With Figure is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di...

Category

18th Century Old Masters Luigi Aloja Art

Materials

Etching

Monument With Figure - Etching by Luigi Aloja - 18th Century

Monument With Figure - Etching by Luigi Aloja - 18th Century

By Luigi Aloja

Located in Roma, IT

Monument With Figure is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità d...

Category

18th Century Old Masters Luigi Aloja Art

Materials

Etching

Related Items
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi

Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

Category

1760s Old Masters Luigi Aloja Art

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Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master

Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Luigi Aloja Art

Materials

Laid Paper, Engraving, Etching

Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master

Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Luigi Aloja Art

Materials

Laid Paper, Engraving, Etching

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master

By Johann Daniel Preissler

Located in Saint Augustine, FL

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Reference: Le Blanc No. 255, 38; Nagler No. 23 Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Category

1720s Old Masters Luigi Aloja Art

Materials

Laid Paper, Engraving, Etching

Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish
Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish

Old Master, etching, Jan van de Velde II (1593-1641), Tobias and the Fish

By Willem van de Velde the Younger

Located in Fairlawn, OH

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

Category

1620s Old Masters Luigi Aloja Art

Materials

Etching

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Mid-17th Century Old Masters Luigi Aloja Art

Materials

Laid Paper, Etching

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...

Category

1770s Old Masters Luigi Aloja Art

Materials

Etching

One Can't Tell Why - Proof from the Disasters of War

One Can't Tell Why - Proof from the Disasters of War

By Francisco Goya

Located in New York, NY

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, and ...

Category

1810s Old Masters Luigi Aloja Art

Materials

Drypoint, Etching, Aquatint

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...

Category

1750s Old Masters Luigi Aloja Art

Materials

Etching

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

Category

1750s Old Masters Luigi Aloja Art

Materials

Etching

The Bathers ("De Zwemmertjes")
The Bathers ("De Zwemmertjes")

The Bathers ("De Zwemmertjes")

By Rembrandt van Rijn

Located in New York, NY

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

Category

1650s Old Masters Luigi Aloja Art

Materials

Drypoint, Etching

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

Category

Early 18th Century Old Masters Luigi Aloja Art

Materials

Etching, Engraving, Drypoint

An angler fishing at Cow Tower on the River Wensum, Norwich
An angler fishing at Cow Tower on the River Wensum, Norwich

An angler fishing at Cow Tower on the River Wensum, Norwich

Located in Middletown, NY

A peaceful fishing scene with Cow Tower and Norwich Cathedal in the distance. Etching with drypoint and Chine collé; Japon paper mounted to cream wove paper, 8x 10 3/4 inches (204 x...

Category

Late 19th Century Old Masters Luigi Aloja Art

Materials

Etching, Handmade Paper, Drypoint

Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print
Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print

Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print

By Jean Bérain

Located in Saint Augustine, FL

Artist: Jean Berain (the Elder) (French, 1640-1711) Title: "Untitled" (Plate 35) Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain) Circa: 1711 (Firs...

Category

1710s Old Masters Luigi Aloja Art

Materials

Laid Paper, Engraving, Intaglio, Etching

The Windmill by François Vivares, after Rembrandt
The Windmill by François Vivares, after Rembrandt

The Windmill by François Vivares, after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Category

Mid-18th Century Old Masters Luigi Aloja Art

Materials

Handmade Paper, Laid Paper, Etching

Previously Available Items

Luigi Aloja art for sale on 1stDibs.

Find a wide variety of authentic Luigi Aloja art available for sale on 1stDibs. You can also browse by medium to find art by Luigi Aloja in etching and more. Much of the original work by this artist or collective was created during the 18th century and is mostly associated with the Old Masters style. Not every interior allows for large Luigi Aloja art, so small editions measuring 6 inches across are available. Luigi Aloja art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $167 and tops out at $490, while the average work can sell for $267.