Luna Garcia

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

A large saucer form vase with deep incising. Blackware pottery signed and dated on underside. By Jeff Roller, 06, 92.

Very sophisticated ceramic jug designed and made by Klaas Mobach for ‘Mobach Utrecht’ in the 1940s with black and blue reduced fired glaze. Execution Mo...

An Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...

Vintage artistic Danish pottery bowl with a beautiful abstract design Signed on the base but artist unknown No cracks or chips.

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Vintage hand-made French Provincial yellow terracotta glazed confit pottery jar with handles. Per the last photo we have a few of these in various size...

Ceramic bowl CLIO, handcrafted in 24-karat gold code DD011 measures: H. 15.0 cm. - Dm. 60.0 cm.

This vintage mid century modern ceramic pottery bowl circa 1960 is beautifully handcrafted. The distinctive modernist design features accent holes, center rings, a pedestal base and ...

Pottery from Morocco. Inspired by Swedish midcentury pottery like Stig Lindberg. Handcrafted pottery by a local artist in Rabat.

USA, 2007 Handcrafted wooden bowl. Stamped on base 'Handcrafted by Robert L. Frantz 2007'. Beautiful detail to this handcrafted piece in medium wood tones. A great piece for styling,...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...