Maarten Stuer End Tables

Marble side or occasional table features a round marble top and a hand-carved wooden base painted gold.  

Richard Schultz for Knoll Petal Table label below painted metal base

A quality and classy gueridon table made of fine Mahogany wood. The side or end table oval shaped top features beautiful natural wood grain and is equipped with a pull extension tray...

Solid brass Labarge six leg side table with hooved feet. Reverse hexafoil stretcher connected with cuffs and spacers. 1/2" thick glass top with beveled edge.

A very fine quality French gueridon, exceptionally executed in the manner of the original design by Adam Weisweiler (1744-1820). Finished in sophis...

Solid brass bases support plate glass tops. Tops show some wear, including one edge chip, as shown (.75" thick tops). Brass bases are in original gilt finish. Great quality construc...

Handsome Mid-Century Modern end table or coffee table in walnut and chrome made in the style of Florence Knoll. It is in fabulous vintage condition with normal wear. The top has been...

This bold and beautiful table showcases all the best that classical English and Irish furniture has to offer. The large gadrooned edge ,robust carving on the pedestal and sensitive b...

Pair of brass & mahogany Campaign style coffee tables or end tables. Unmarked, Attributed to the Baker Furniture company Rare to find a pair, often used together as coffee tables,...

Lane Acclaim Mid-Century Modern Coffee Table or Wooden End Table A very stylish Scandinavian style coffee table or end table made of solid walnut. Clean lines and natural groves of...

Round walnut table by renowned Swedish furniture designer Carl Malmsten (1888 - 1972). Versatile size - can be used as end table or coffee table.

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A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...