Malcolm Ludvigsen Landscape Paintings

Provenance Acquired by the gallery directly from the artist Signed "Calvin Liang" on lower left Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Ar...

Alice G. Gropper (late nineteenth century) Deer in the Forest Oil on canvas, 12 1/4 x 10 1/2 inches FRAMED: 14 1/2 x 16 1/2 inches (approx.) Inscribed on stretcher: (in ink) "Alice ...

ROBERT KENNETH WHITE – "CYPRESS LIGHT" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A GLOWING STUDY OF LIGHT AND NATURE In “Cypress Light” (2018), Robert Kenneth Wh...

ROBERT KENNETH WHITE (b. 1950) – "Mustang" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A POWERFUL PORTRAIT OF THE AMERICAN MUSTANG In "Mustang," Robert Kenneth Whi...

Charles Lewis Fussell (American, 1840–1909) Fort Hamilton, Brooklyn Oil on canvas, 8 x 11 ½ inches FRAMED: 15 x 19 inches (approx.) Signed and inscribed at lower left: "C. L. FUSSEL...

ROBERT KENNETH WHITE (b. 1950) – "FRISCO REVERIE" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET MOMENT OF AMERICAN INDUSTRIAL MEMORY In Frisco Reverie, Robert ...

Provenance Acquired by the gallery directly from the artist Signed "Calvin Liang" on lower left Description Winner of the Impressionist Award of Excellence, Master Signature Catego...

Unframed Dimensions: 30 x 40 in. Framed Dimensions: 35 1/2 x 45 1/2 in. Signed lower left The painting depicts Rainbow leading Endeavour in the crucial race five of the 1934 Americ...

ROBERT KENNETH WHITE (b. 1950) – "Movement" aka "At Sea" Oil on Canvas ⚜ Signed Lower Right and Titled on Verso ⚜ Frameless Display AN IMMERSIVE STUDY OF OCEAN ENERGY In "Movement" aka "At Sea," Robert Kenneth White focuses on the open water itself, building the composition out of rolling swells, shifting currents, and crisp highlights that skim across the surface. The sea feels alive and dimensional, with layers of deep blue and turquoise creating both depth and motion, while the softened sky keeps the viewer’s attention locked on the water’s constant rhythm. This is not a literal coastline view. It is a concentrated marine painting that captures the experience of the ocean: restless, luminous, and endlessly changing. The result is a large-scale seascape that reads as contemporary realism from a distance, yet becomes richly painterly up close, a hallmark of White’s approach to light, atmosphere, and surface. WHY COLLECT THIS WORK? ✓ Large-scale seascape with strong visual presence and room-defining impact ✓ Ocean subject with year-round appeal for coastal, nautical, and modern interiors ✓ Exceptional handling of wave movement and reflected light across open water ✓ A compelling example of White’s contemporary marine painting in oil on canvas ARTWORK DETAILS: ▸ Title: "Movement" [also known as "At Sea"] ▸ Artist: Robert Kenneth White (b. 1950) ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Hand Signed Lower Right and Titled on Verso ▸ Provenance: Private Collection ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 40 x 60 x 1 inches ▸ Condition: Excellent, commensurate with age ▸ Framing: Frameless Display, ready to hang or frame INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White (b. 1950) is a celebrated American painter known for luminous coastal landscapes, marine paintings, figurative works, and portraits executed in oil on canvas. Raised in Salinas, California, White developed an enduring connection to the Central Coast and Monterey region, returning repeatedly to ocean and shoreline subjects where light, atmosphere, and motion become the true narrative. White’s work is frequently sought by collectors searching for California coastal...

Provenance Acquired by the gallery directly from the artist Signed "WJ Situ" on lower left Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, N...

Unframed Dimensions: 30 x 40 in. Framed Dimensions: 35 1/2 x 45 1/2 in. Signed lower left The painting depicts Nat Herreshoff’s great racing schooner Ingomar racing the schooner Elmina off Great Captain Island during the Larchmont Race week 1907 at her helm is the redoubtable Charlie Barr the successful skipper of three Americas’s Cup campaigns. Ingomar was built of the wealthy financier Morton F Plant and was the first of Nat Herreshoff’s 9 great steel hulled racing schooners which included, Queen, Westward, Elena and others. She was built alongside Reliance in 1903 and joined her on the New York Yacht Clubs annual cruise of that year as Reliance tunned up to Defend the America’s Cup against Shamrock 111. In 1904 with Capt Charlie Barr at the helm and a crew of veterans from Reliance she crossed the Atlantic to race the cream of the British yachting fleet at Cowes before crossing to compete in the German regattas at Keil where with Capt Barr at the helm she famously forced the German Kaiser racing on his schooner Meteor...

Thomas Birch (American, born England, 1779-1851) Winter Landscape, Pennsylvania Oil on canvas, 18 x 24 inches FRAMED: 27 x 33 inches (approx.) Thomas Birch was born in Warwickshire, England, son of the enamel and miniature painter William Russell Birch (1755-1834). He and his father settled in Philadelphia in 1794 and produced popular sets of engravings that documented the city's growth such as The City of Philadelphia (1800) and Country Seats (1808). Thomas Birch began to paint portraits around 1806, and soon gravitated to the subjects that made him famous, landscapes, winter scenes, and marine scenes. Birch also painted numerous winter scenes throughout his career, perhaps influenced by the popularity of sleighing and skating in Philadelphia. His landscapes represented the more rustic tradition of English painting and although the subject matter was either the Pennsylvania of New Jersey countryside, Birch’s imagination was oriented toward seventeenth century Dutch painting as he was influenced by artists Jan van Goyen and Salomon van Ruysdael. Birch frequently exhibited his work at the Pennsylvania Academy of the Fine Arts and the Artists’ Fund Society, formed in 1835. His art was influential in the later development of the Hudson River School of painting and the style of romantic realism...