Maria Martinez Ceramics

Black on black pottery jar with very finely etched feather design and three concentric bands, signed Marie and Santana. 1943 -1956; 5 3/4" x 6 1/2". ...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Black on black pottery jar by Marie Martinez, signed Marie. 1943 - 1956; 4" x 6" San Ildefonso Pueblo, New Mexico, are internationally renowned 20th-cen...

An asymmetrical bowl handcrafted by Ewen Henderson, (1934-2000) Mixed clay layered with pink, olive green, and grey glazes.    

Lovely shaped grey ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base 2 tiny hairline cracks to the rim.( shown in the images ) ...

Lovely shaped and good size cream / pale yellow ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base Tiny imperfection to the rim o...

A wonderful impressive Guido Gambone ceramic charger. The decoration is whimsical and the scale of the charger at slightly over 14 inches in diameter is quite dramatic. Approximately...

This is a very good early Mason's Ironstone pottery desert plate in the distinctive cabbage leaf form, large sprays pattern, produced by the Mason's factory at Lane Delph, Staffordsh...

This is a very good, large dinner plate by Mason's ironstone, England in the Bandana pattern, dating to circa 1900. The Plate is circular in shape...

A timeless, Classic French 18th century provincial pottery / ceramic urn or pitcher with beautiful, natural time worn patina and a stunning form featuring three dramatic handles and ...

Black on black pottery jar in uncommon shaped, signed Maria and Julian. 1925 - 1943; 5 3/4" x 6 1/4". Julian is Maria's husband and highly recognized. San Ildefonso Pueblo, New Mexic...

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

Waiting for Godot 209360-210242, 2018 (Ceramic; Unique; C1: Terracotta 9 in. h. x 9 in. d., C2. White 9.9 in. h x 9.9 in. d., C3. Mint 8.6 in. h. x 8.6 in. d.) The inspiration for Bae Sejin’s intriguing ceramic designs is the play Waiting for Godot by the Irish avant-garde novelist Samuel Beckett...

A fine Majolica vegetable tower or topiary, attributable to the ceramic artisans of Este, Italy, featuring a naturalistic relief of vegetables upon...

These are a beautiful pair of French Faience dinner plates with pierced rims, made by the Luneville K&G factory and dating to the late 19th century, circa 1895. These large circular earthenware pottery plates are well potted with pierced reticulated rims. Both plates are hand painted over a printed outline, with a similar bold floral pattern in different shades of Pink, blue, green and yellow enamels. Both plates have the the black printed Luneville, K&G factory mark on the base, dating them to the late 19th century, circa 1895. Overall a very decorative matching pair of French Faience plates.