Marie Laforey Paintings

Linda King Ferguson describes her "Equivalence Series" as social bodies; a re-thinking of Modernist figurative abstraction. They are a discursive formal and reductive language. As fi...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

Welcome to Ben Darby's world. This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a green gradient that falls to tan at the b...

David Collins earned a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions in New York, and has exhi...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This painting by Linda King Ferguson is painted on linen with a gradient tint, transitioning from red to yellow as our eyes descend the canvas. A hard-edged red section curves diagon...

This painting by Linda King Ferguson depicts a red diamond canvas with a Vesica Piscis shape in the center. The color of the Vesica Piscis is a gradient, transitioning from a maroon ...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

"Geostructure II" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a red gradient that falls to tan at the bottom, complemented by a vase. T...

Oil, graphite, clay on panel. Abstract mixed media work on panel. Images include text, still life and figurative elements. White tones, aqua and red. Dimitri is noted for his use o...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

This is a whimsical interpretation of an ikebana arrangement. The texture is raised along the branches, with a green gradient that falls to tan and black at the bottom, complemented ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...