Mary Jo McGonagle Paintings

Learn from the past, Live in the present, Hope for the future, Do your best today, Never give up, Improve your tomorrows. Shipping Procedure Ships in a well-protected tube from Nige...

Portrays a woman enveloped in a serene embrace, symbolizing the quiet strength found in moments of solitude. Her posture and expression convey a sense of inner peace, offering a remi...

This artwork captures the beauty, strength, and grace of women from the diverse cultures of Africa and celebrates the beauty of African women in all their forms. Shipping Procedure ...

Deansgate Locks Manchester City Street Scene England at Night by British Artist by British Cityscape Artist Angela Wakefield. It captures the changing nature of Manchester, both the ...

The flower of my love , 100x70cm, acrylic on canvas

Where Dreams May Come, 130x180cm

Those who tell the truth are always on the run... If you stand for the truth, you will always stand alone Shipping Procedure Ships in a well-protected tube from Nigeria This work is...

"Close my eyes with rose petals"

Marker, ink, acrylic & pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Acrylic on canvas Maya Abashidze is Georgian artist born in 1984 who lives and works in Tbilisi, Georgia. She was graduated from the Tbilisi State Art Academy in 2010. From May-Jun...

Luis Miguel Valdes (Cuba, 1949) "Colonial Moon II", 2024 acrylic on canvas 60 x 60 in.

Acrylic paint on canvas Unique work Hand-signed lower left by the artist THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...