Mathurin Moreau Lighting

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...

Decorate a desk, library shelf, or lady’s office with this elegant antique bronze sculpture titled La Cruche Cassée (The Broken Pitcher). Crafted in France circa 1880, the compositio...

A French gilded bronze figural lamp featuring a standing classically draped lady with a cupid in her arms who further holds aloft a cornucopia containing the socket; the whole restin...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

Mathurin Moreau (French, 1822 - 1912) bronze sculpture of young woman under an umbrella peering down at a crab by her feet, bearing signature "Moreau Math Scpt" to base, circa late 1...

Fée de Printemps (Spirit of Spring) by Mathurin Moreau (1822-1912) Signature and foundry stamped to base Marked "Exposition universelle de 1889" E. Colin & Cie, Paris foundry

Spanish Baroque style wrought iron torchère floor lamp with black patina. Beautifully hand wrought and turned shaft supported by a tripod base. This date from the early 20th century, a time when Italian and Spanish Baroque furniture...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

Grand Tour 19th century bronze sculpture of Narcissus after the original found in 1862 at Pompeii. When first found in Pompeii it was identified as Narcissus. Years later it was identified as Dionysus. Mounted as a lamp. Early 20th century. Beautiful marble finial.

Cristalleries De Baccarat, A Large Pair of French Cut-Crystal Twenty-Four Light Tsarine Torcheres, Standing Floor Chandeliers. "A Magnificent Pair of Chandeliers" Each central stem...

Mathurin Moreau (French, 1822-1912) Patinated Bronze Sculpture of a Seated Woman, late 19th century, the semi-clad figure seated on a rocky outcropping, clutching a bouquet of flower...

Pair of 19th century French Louis XV style gilt bronze candelabras. Outstanding finely detailed pair of antique French Napoleon ...