Matt Hoyle Wall Decorations

Limited Edition #01/10 Black & White portrait of a road house Chef in Nikko, October 2022 by Taco Joustra. This portrait is part of a series titled "Faces of Japan". The museum quality fine art B&W print measures Height : 20.866 x Width : 15.994 inches. This includes the 0.787 inch white border The photograph will be signed and numbered . Japanese cuisine, also known as washoku, is characterized by its emphasis on seasonality, simplicity, and balance of flavors. It also places a strong emphasis on the appearance of dishes, with a focus on presentation. Sushi, ramen, and tempura are some of the most well-known Japanese dishes...

This bold, strong view of a blonde youth -- his name was Daniel Orrick -- was made by Johan Hagemeyer, an important California photographer who was encouraged to pursue his work by n...

"We are Africans not because we are born in Africa, but because Africa is born in us. Look around you and behold us in our greatness. Greatness is an African possibility; you can mak...

Botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in simple black frames. The frames are a perfect com...

Karl Blossfeldt Photogravures Wundergarten der Natur, 1932. Hung together, these make a very impressive and modern wall display. Available in smaller groups or individually at $595...

Presented is a fine photogravure portrait of an Ogalala woman by Edward Curtis. The image is Plate 94 from Supplementary Portfolio 3 of Edward Curtis' epic project The North American Indian. The caption provided by Curtis for this image is “A face so strong that it is almost masculine, showing strikingly how slight may be the difference between the male and female physiognomy in some Primitive people.” The photograph was taken in 1907 and the photogravure was published in 1908 by John Andrew & Son, in Boston. Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful Downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large Size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered . respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

The land and people of Morocco (Portraits of the nations series) Hardcover – January 1, 1973 by William Spencer (Author) Introduces the land, histo...

‘Portrait of Nalee’ by Ivan Maria Friedman (limited series of 15) We travel through a significant part of LAOS, once again in search of the enduring spirit of tradition and authenti...

Memoirs of a Geisha A Portrait of the film by Peggy Mulloy · 2005 hardcover book. By David James (Photographs by), Peggy Mulloy (Text by), Rob Marshall (Introduction by), Arthur Gol...

current artwork by Belgian photographer Eva Rossie.... self portrait ...

A painted photographic portrait of a gentleman, American, late 19th century. sight: 5 by 7 inches frame: 12 ½ by 14 ½ inches

Diana: The Portrait by Rosalind Coward, Foreward by Nelson Mandella. Published by Andrews McMeel Publishing, 2004. 1st US Ed hardcover with dust jacket. "The tragic death of Diana, Princess...