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Candy Jar, Oil on Canvas, American Artist, Realism, Tchotskes AKA Quirky Objects
Candy Jar, Oil on Canvas, American Artist, Realism, Tchotskes AKA Quirky Objects

Candy Jar, Oil on Canvas, American Artist, Realism, Tchotskes AKA Quirky Objects

By MAUREEN O'CONNER

Located in Houston, TX

Bright whimsical colors are helping to dispel the grayness of the winter inside Acton Memorial Library’s meeting room, where Boston-based artist Maureen O’Connor’s 20 paintings are on display through February. Randi Hopkins, former assistant curator at Boston’s Institute of Contemporary Art, has called O’Connor “a masterful painter of some of our favorite things.” A pair of ceramic ducks...

Category

2010s Realist MAUREEN O'CONNER Art

Materials

Oil

Marimekko Ducks, Oil Canvas, American Art, Realism, Tchotskes Quirky Objects
Marimekko Ducks, Oil Canvas, American Art, Realism, Tchotskes Quirky Objects

Marimekko Ducks, Oil Canvas, American Art, Realism, Tchotskes Quirky Objects

By MAUREEN O'CONNER

Located in Houston, TX

Marimekko Ducks is 20 x 20 inches oil on canvas. .Maureen likes to use Marimekko fabrics in many of her paintings. Randi Hopkins, former assistant curator at Boston’s Institute of Contemporary Art, has called O’Connor “a masterful painter of some of our favorite things.” A pair of ceramic ducks...

Category

2010s Realist MAUREEN O'CONNER Art

Materials

Oil

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Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

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Materials

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"Faun and Fawn" Aaron Bohrod, Realist Still Life, Deer and Putti
"Faun and Fawn" Aaron Bohrod, Realist Still Life, Deer and Putti

"Faun and Fawn" Aaron Bohrod, Realist Still Life, Deer and Putti

By Aaron Bohrod

Located in New York, NY

Aaron Bohrod Faun and Fawn, 1984 Signed lower right Oil on gesso board 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life, which comprised most of Bohrod's early work. Under Sloan's tutelage, Bohrod came to subscribe to the belief that painters should find the subjects of their art in the immediate world around them. These paintings emphasized architecture unique to north Chicago and featured Chicagoans engaged in such everyday activities as working, playing or going to the theatre. The romantic aspect was conveyed by the use of misty colors, and the realism by attention to detail. In 1936, Bohrod won the Guggenheim Fellowship award in creative painting...

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Maureen O'conner art for sale on 1stDibs.

Find a wide variety of authentic MAUREEN O'CONNER art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by MAUREEN O'CONNER in oil paint, paint and more. Not every interior allows for large MAUREEN O'CONNER art, so small editions measuring 12 inches across are available. MAUREEN O'CONNER art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,450 and tops out at $2,000, while the average work can sell for $1,725.