Maurice Mendjinzky Paintings

Scenes of Las Ramblas in Barcelona remain among the most recognizable urban subjects in European painting and are highly sought after by collectors and interior designers worldwide. Artist Jordi Junyent Title Rambla de las Flores, Barcelona Date 1988 Medium Oil on canvas Dimensions 50 × 61 cm 19.7 × 24 in Signature Signed “Junyent” lower left and dated 1988. Frame Unframed Condition Very good condition. Canvas firm and well stretched. Stable paint layer with bright colors. No visible restorations. Atmospheric urban painting depicting Las Ramblas flower market in Barcelona, one of the most recognizable and vibrant locations in the city. The composition captures the scene after rainfall, with reflective pavement, flower stalls and strolling figures creating depth and movement. The wet street surface reflects light and silhouettes, enhancing the lively Mediterranean atmosphere. Executed with a confident and expressive brushstroke, the artist uses a palette dominated by cool greys, greens and blues contrasted with vivid reds from the flower displays. The simplified figures and loose handling of paint emphasize the mood of the place rather than strict detail, a characteristic approach of post-impressionist urban painting. Scenes of Barcelona’s Las Ramblas are particularly sought after in the international decorative art market due to their strong visual identity and association with one of Europe’s most iconic boulevards. An attractive and highly decorative cityscape, ideal for collectors of European urban painting or for interior design settings seeking a vibrant Mediterranean atmosphere. Jordi Junyent was a Spanish painter active in the late twentieth century whose work focused primarily on urban scenes and Mediterranean city views. His paintings often depict recognizable locations such as the streets of Barcelona, rendered with a loose brushstroke and an emphasis on atmosphere, light and color. Working within a post-impressionist tradition, Junyent developed compositions that balance figurative clarity with painterly spontaneity, making his works appealing within the European decorative art market. Barcelona Las Ramblas Barcelona street scene Flower market painting...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

A rare and historically significant 1934 landscape painting by American modernist Eve Drewelowe Van Ek (1899–1989), an influential figure in Colorado art and one of the state's most respected female painters. This evocative composition depicts a weathered red barn set within a quiet rural landscape, with distant mountains rising beyond the structure and providing a dramatic natural backdrop. Executed in oil on canvas board, the painting captures the enduring character of the American countryside through Drewelowe's distinctive blend of realism and modernist sensibility. The bold red barn serves as a powerful focal point, contrasting beautifully with the surrounding landscape and conveying themes of resilience, rural heritage, and the passage of time. The artist's confident handling of color, form, and atmosphere reflects the mature style that made her an important contributor to 20th-century Western American art. Signed, titled, and dated 1934 at the lower right, the work is presented in a custom frame and represents an exceptional example of Depression-era Colorado painting...

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

Vintage American modernist landscape oil painting by Frank Barry. Oil on board. Signed. Framed. Measuring 27 by 31 inches overall and 18 by 22 painting alone. Nicely framed in a wood...

This elegant oil on canvas captures the quiet geometry of the Jardins de Pedralbes in Barcelona. Painted by the Catalan artist Santiago Roca D. Costa, the work is a sophisticated stu...

An American Female Artist in her late signature style depicts a Horse and a Colt in an abstract landscape. Ethel Magafan scapes the defining lines with a knife to add to the creative...

Oil on wooden table realized by Hippolyte Camille Delpy in the late 19th Century. A very nice small painting by an importante french painter of the late 19th Century, deeply influen...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massac...

Eleanor Miller’s painting reflects her observation of nature and the creatures that share this planet with us. In this painting, she joyously includes a fish. Miller is inspired by f...

Eleanor Miller’s painting reflects her observation of nature and the creatures that share this planet with us. She is inspired by farmland that surrounds her Connecticut studio. Thi...