Mavis Smith Figurative Paintings

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

LOOK FOR FREE SHIPPING AT CHECKOUT Rock Me is a 14 x 20 figurative oil painting by E. Melinda Morrison. It was painted in 2019. Rock Me shows the movement of the water rocking the ...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a beautiful wooden frame cm. 66x54.5.

Konstantinos Papamichalopoulos was born in Athens, Greece in 1975. He studied painting and printmaking at the Athens School of Fine Arts, where he also received a postgraduate degree...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

"Giant At Sea" is an Asian Inspired Painting with a colorful Samurai and sailing boats in the ocean, with lots of white waves. The piece is created using ink, egg-tempera, and a gold...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Ma...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

An original egg tempera and gold leaf on board by American female conceptual contemporary artist Rosemary Lyons. What makes an artist a failure? While strolling through the Metropolitan I was viewing the wing piece of a more extensive altar and observed words etched into the golden grounds. This had a profound resonance with me because of my fascination and utilization of words in all of my work. Next I visited the Cloisters and stood transfixed in front of Robert Campion’s “Annunciation” Of particular interest was the lovely white lily that indicates Mary’s purity. On this same sojourn I witnessed the line out the door and around the block of people waiting to get into a contemporary artist’s retrospective. Is that success? My response began with one painting of lilies...

The Three Emperors is a triptych, which Papamichalopoulos has created a Byōbu-ē folding screen. Each panel measures 150x40 cm / 59 x 16 inches. The piece is created using ink, egg-...