Max Bouvet Paintings

Provenance: Acquired directly from Katarina Gunnarsson, who inherited the painting from her mother, Barbro, the daughter of the artist. This striking landscape by Oscar Lycke depict...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inches (85 x 112 cm.) PROVENANCE Private Collection, Chicago Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

Powerful, beautifully executed vibrant oil on canvas early work by the well known American artist, Alexander Warshawsky. Signed lower right and dated 1917. This painting was mostly...

Olive Trees and Farm: Cannes. (Ferme dans le Oliviers: Cannes” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s Signed ;lower right 19 1/2 x 24 1/2 (26 1/2 x 31 1/2 ...

Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. Grohmann's wo...

George Ames Aldrich (American, 1872-1941) Landscape with Watermill Oil on canvas Canvas: 30 x 24 inches (76.2 x 61.0 cm) Framed: 38.5 x 32.5 x 2 Inchs Signed lower left: G. Ames A...

This atmospheric harbour scene by Hermanus Koekkoek Jr., working under the pseudonym Jan van Couver, exemplifies the artist’s mature approach to maritime and town views during his London period. The composition presents a Dutch waterfront animated by boats, windmills, and clustered buildings, all set beneath a vast and dynamic sky. The emphasis on shifting weather conditions and the interaction between water, light, and architecture reflects a deep engagement with both tradition and contemporary developments in nineteenth century painting. Koekkoek belonged to one of the most distinguished artistic dynasties in the Netherlands. As the son of Hermanus Koekkoek the Elder and nephew of Barend Cornelis Koekkoek, he inherited a strong foundation in landscape and marine painting. His early training within the family atelier in Amsterdam provided him with a disciplined understanding of composition and natural observation. However, his later move to London in 1869 marked a decisive shift in both style and market orientation. It was during this period that he adopted the name Jan van Couver, a strategic choice that aligned his work with a broader European appeal. The present painting reveals a confident and increasingly free handling of paint. The foreground water is rendered with swift horizontal strokes that capture the movement of the surface, while the boats and harbour structures are constructed through more concentrated applications of pigment. The use of impasto is particularly notable, lending the painting a tactile presence and enhancing the interplay between light and texture. This painterly richness contributes to a vivid sense of immediacy, as if the scene were observed directly on site. The sky dominates the composition, occupying a large portion of the pictorial space. Broad, swirling brushstrokes articulate the mass of clouds, which appear to gather and disperse in response to changing atmospheric conditions. This treatment reflects the influence of the Hague School, whose artists sought to convey the mood and variability of the Dutch landscape through tonal harmony and expressive brushwork. Koekkoek’s interpretation is more animated, however, suggesting an openness to impressionistic tendencies that were gaining ground across Europe. At the same time, the painting remains anchored in a clear compositional structure. The line of the harbour guides the viewer’s eye into the distance, where the forms dissolve into a softer haze. The presence of windmills, a quintessential feature of the Dutch landscape, reinforces the sense of place while also introducing vertical accents that balance the horizontal expanse of water and sky. The architecture is suggested rather than fully defined, allowing atmosphere and light to take precedence over detail. Koekkoek’s work occupies an interesting position between tradition and modernity. While rooted in the conventions of Dutch marine painting...

Signed lower right: Canu Provenance: Private Collection, US Yvonne Canu was influenced by the Pointillists school and very strongly so by Georges Seurat and by Sunday Afternoon on ...

This is a description of a high mountain pasture, in my mind, it might be Norway or Switzerland or central Europe, I should have put bells on the sheep since I can hear them now Ami...

Original oil on canvas painting of the Moulin Rouge located in Paris, France. Rocco is an Italian born artist known primarily for his paintings of Paris landmarks and street scenes ...

Original oil on canvas painting of the book sellers along the Seine in Paris with the iconic Notre Dame cathedral in the background. Signed lower left by the artist. Circa 1960. Cond...

Original oil artist canvas board painting by the well known Boston artist Henry Davenport. Signed lower left. Title “Beach at Wainscott” verso and dated 1961. Condition is excellent...