Max Bouvet Paintings

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Catalan Harbor Mediterranean Boats Post Impressionist Oil Painting Artist: Josep Marfa Guarro (1928–2014) Technique: Oil on canvas Signature: Signed lower left Dimensions: Height 27...

Léon Charles Canniccioni (1879 - 1957) Vue de la baie d'Ajaccio 1936 (?) Huile sur toile Signé et daté en bas à droite 68 x 87 cm Cette vue de la baie d'Ajaccio en Corse, est une hu...

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

Marie-Lucie Nessi Valtat South of France, ca. 1950 Oil on canvas mounted on board 13 3/4 x 10 2/3 in l 35 x 27 cm Frame size: 15 3/4 x 12 2/3 in l 40 x 32 cm Marie-Lucie Nessi Valta...

Signed lower left: F. gall Provenance: Private Collection Anne French Fine Arts, 2009 Private Collection, Florida Francois Gall was born in Kolozsvar, Hungary in 1912. He began hi...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Otto Lindberg (1880-1955) 'The Moonlit Boathouse' ‍ Oil on canvas 60 x 95 cm, 73.5 x 108 cm framed Signed and dated 1940 There is something mesmerising about the way the moonlight...

"Sinfonía de Colores" Artist: David Gamero Medium: Oil on canvas Size: 28.75" x 28.75"

Jacques Martin-Ferrières (French, 1893-1972) La grille d'entrée principale de l'Artaudière, 1945 Oil on canvas Canvas: 36.25 x 28.75 inches (92.1 x 73.0 cm) Framed Dimensions 41.5 X ...

Catalan Coastal Village Landscape Oil Painting Mediterranean Spain 1976 Albert Junyent Quinquer (1903–1976) Catalan Mediterranean Village Landscape 1976 Oil on canvas Canvas: 46 × 38 cm (18.11 × 14.96 in) Framed: 59 × 51 cm (23.23 × 20.08 in) Signed and dated lower left Original frame included Good overall condition Catalan Post-Impressionist School Mediterranean architectural river village landscape painted in 1976 by Catalan artist Albert Junyent Quinquer. The composition depicts a historic hillside settlement reflected in calm water, rendered with confident post-impressionist brushwork and a luminous Mediterranean palette characteristic of twentieth-century Catalan landscape painting. The structured treatment of architecture and atmospheric light reflects the artist’s synthesis of Parisian modern training and Mediterranean pictorial tradition. A refined and decorative example of Catalan figurative landscape painting from the late period of the artist’s career, ideal for collectors of Spanish modern landscape painting and interior designers seeking authentic Mediterranean atmosphere artworks. This work belongs to the Catalan Mediterranean landscape tradition shaped by: Joaquim Mir Santiago Rusiñol Eliseu Meifrèn Modest Urgell Hermen Anglada Camarasa Through his Paris training at the École du Louvre under Amédée Ozenfant, Junyent’s work also connects with: Amédée Ozenfant André Lhote Paul Cézanne Within twentieth-century Spanish painting the composition sits between: Catalan Noucentisme landscape tradition Mediterranean post-impressionist painting Barcelona School architectural landscape painting River-village compositions with reflected architecture like this one perform especially well among collectors of: Mediterranean coastal interiors French Riviera aesthetic painting Italian lake district decorative landscape Southern European village scenes Albert Junyent Quinquer (Barcelona, 1903 – Paris, 1976) was a Catalan painter, writer and art critic associated with the twentieth-century Mediterranean landscape tradition. He studied in Barcelona and later continued his formation in Paris at the École du Louvre under Amédée Ozenfant. In 1927 he collaborated in the artistic preparation of the Barcelona International Exhibition of 1929 and subsequently worked in Paris as a correspondent for cultural publications. Following the Spanish Civil War he lived in exile in Caracas, where he worked as a painter, professor and art critic at the School of Fine Arts and published important monographic studies on Cristóbal Rojas...

Spanish Mediterranean Fishing Boats Beach Scene Oil Painting Coastal Village Artist: Francisco Carbonell Massabé (1928, Spain) Title: Las Embarcadoras Día de Levante Date: c.1995 Medium: Oil on canvas Signature: Signed and titled verso Condition: Good condition Frame: Unframed Dimensions: 60 × 73 cm Original Mediterranean coastal village scene by Catalan painter Francisco Carbonell Massabé depicting fishermen and small boats along a Levantine shoreline under changing sea light conditions. The composition captures everyday maritime life through a loose impressionist brushstroke and luminous chromatic palette characteristic of late twentieth century Catalan coastal painting. Figures, boats and architecture are integrated into a balanced atmospheric structure typical of plein-air Mediterranean tradition. Scenes representing working harbors and coastal communities form a central subject within Carbonell Massabé’s production and remain especially appreciated among collectors of Spanish regional landscape painting. An excellent decorative and collectible Mediterranean maritime composition suitable for residential interiors, coastal houses and curated European landscape painting collections. Francisco Carbonell Massabé (Barcelona, 1928) trained at La Llotja and the School of Fine Arts of Barcelona. His work focuses primarily on Mediterranean landscapes, ports and urban coastal scenes rendered through impressionist brushwork and light-sensitive chromatic structure. He exhibited widely across Spain and Europe including Paris, Munich and Palma de Mallorca, developing a recognizable body of work centered on Mediterranean atmosphere and everyday maritime life. This painting belongs to the Catalan Mediterranean landscape tradition connected with: Joaquim Mir Eliseu Meifrèn Santiago Rusiñol Ramon Pichot and later twentieth-century coastal impressionist painting...