Max Nonnenbruch

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Decorative painting from the 1940s. Painting has a beautiful gold frame with a linen liner.

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Birch,” this small-scale oil painting depicts a young birch sapling against an olive wood board. Restricting the composition to only a portion of the trunk, Surdo focuses on qualities that make the tree memorable - its narrow trunk...

Oil on canvas; 25" x 32." From the archives of the Shaw Barton Calendar Co. used for an early calendar print. Framed. Watson sold most of his freelance pulp covers to the (1893- 1955) Frank A. Munsey Publishing Company for Argosy, Big Chief Western, Detective Fiction Weekly, and Railroad Stories. Emmett...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Decorative painting by Hanneke De Neve, Holland, circa 2016. Acrylic on silk fabric. Framed in a beautiful gold leaf wood frame with a linen liner.

Decorative large painting by Hanoi artist, "The Muse", circa 2007. Acrylic. New frame.

Large Oil Painting in the Manner of Édouard-Leon Cortes, Paris France Stunning large oil painting in the manner of Edouard Léon Cortès depicting scenes of 19th century Paris, France...

This artwork is a unique masterpiece. Isn't it amazing how that few a number of strokes can depict reality with such accuracy ? A single stroke is more than enough for Yves Calmeja...

A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

This large artwork figures a bamboo forest in the night. The artist impasto technique is light, with textured painting and a few small reliefs. This artwork is not framed. Françoi...