Cascades (Quiet Solitude)
By Maxfield Parrish
Located in Fort Washington, PA
In 1930, Maxfield Parrish turned his attention to painting landscapes exclusively. Cascades is a fine example of the style that defined his late career. The composition features a fa...
Canvas, Oil
New Hampshire Hills, Landscape Painting
By Maxfield Parrish
Located in Fort Washington, PA
Date: 1932 Medium: Oil on Board Dimensions: 23.00" x 18.63" Framed Dimensions: 33.00" x 28.63" Signature: inscribed MP Jr. No. 76. / Painted by Maxfield Parrish / Maxfield Parrish I...
Oil, Board
The Rawhide Part III
By Maxfield Parrish
Located in Fort Washington, PA
Artwork Dimensions: 16.00" x 12.125" Frame Dimensions: 22.5" x 18.75" Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode away.' Signed with initials M·P...
Paper, Oil, Board
La Palazzina (Villa Gori), Siena, for the book Italian Villas and Their Gardens
By Maxfield Parrish
Located in Fort Washington, PA
By the time Maxfield Parrish painted his Italian Villa series in 1903, he was already acknowledged as one of America’s most successful artists. Edith Wharton was commissioned to writ...
Paper, Oil
$1,431
H 7.09 in W 9.45 in D 1.97 in
Composition with Rooster and Hens, Oil on Board, French School, 1860s
Located in PARIS, FR
Louis Reinhardt or Ludwig Reinhardt (born 1849 in Plauen; born late October 1870 in Traunsee) was a German painter. Reinhardt waged war on a animal and landscape painter of spätroman...
Oil, Board
$5,616
H 10.83 in W 17.13 in
Helmer Osslund Northern Swedish Landscape Oil Painting
Located in Stockholm, SE
Helmer Osslund (1866–1938) Sweden Northern Swedish Landscape signed lower right Helmer Osslund oil on greaseproof paper laid down on panel unframed 17 × 33.5 cm (6.7 × 13.2 in) fra...
Oil, Board, Laid Paper
$3,209
H 13.78 in W 16.15 in
Crowded Street Scene From Luntmakargatan, Stockholm
By Olof Arborelius
Located in Stockholm, SE
Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...
Oil, Board, Laid Paper
$550
H 9 in W 12 in D 1.5 in
"Idaho Road" - Original Oil Landscape Painting on Paper and Cradled Board
By Samantha Buller
Located in Denver, CO
About the Artist: Samantha Buller currently lives in Sonoma County after painting and teaching in Kansas for the past two years. She received her BFA in Painting from the Academy of ...
Oil, Paper, Board
$2,500
H 29.5 in W 33.5 in D 2 in
“Crossroads, c. 1940” WPA Polish-American Expressionist Modernist Oil Signed
By Sol Wilson
Located in Yardley, PA
“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...
Oil, Board
$2,177
H 11.62 in W 10.04 in
Impressionist Oil on Paper: Man Crossing a Stream, Late 19th Century
By Olof Arborelius
Located in Stockholm, SE
oil on paper mounted on cardboard unframed 18.5 × 14.5 cm (7.3 × 5.7 in) framed 29.5 × 25.5 cm (11.6 × 10 in) signed with monogram “OA” Provenance: From the artist’s estate; by desc...
Oil, Board, Laid Paper
$12,500
H 16.5 in W 23 in D 2.25 in
“Manchester-by-the-Sea” Ann Sophia Towne Darrah, 19th C. Female Artist American
Located in Yardley, PA
About this work: “Manchester-by-the-Sea” by Ann Sophia Towne Darrah (American, 1819-1881). Darrah was among the earliest American women to establish a professional reputation as a p...
Oil, Board
$5,400
H 24 in W 29 in
Yolande Ardissone Pecheurs en Fleurs Signed Original Oil on Canvas Painting
By Yolande Ardissone
Located in Minneapolis, MN
Artist: Yolande Ardissone Title: Pecheurs en Fleurs Medium: Original Oil on Canvas Painting Year: c. 1960-1970 Canvas Dimensions: 24" x 29" Framed Dimensions: 31.5" X 36.5" X 1.5" In...
Canvas, Oil
$4,750
H 25.5 in W 29.5 in D 2 in
“Sierra Heights” by Paul Grimm Sierra Nevada Mountains California Landscape Oil
By Paul Grimm
Located in Yardley, PA
About this work: “Sierra Heights, 1971” by Paul Grimm (1892-1974). A beautiful view of the Sierra Nevada mountains by Grimm, one of the most beloved painters of the California lands...
Oil, Board
$225,000
H 18 in W 24 in
Bob Ross Painting Signed 18x24 Inch Original on Canvas w/ Bob Ross Inc COA
By Bob Ross
Located in Minneapolis, MN
Artist: Bob Ross Title: Untitled (similar to "Frozen Solitude" from season 13, episode 2 of "The Joy of Painting") Dimensions: 18" x 24" Medium: Original Oil on Canvas Painting Year:...
Oil, Canvas
$260,000
H 18 in W 24 in D 1 in
Bob Ross Painting Signed Original Oil on 18x24 Canvas w/ Bob Ross Inc COA
By Bob Ross
Located in Minneapolis, MN
Artist: Bob Ross Title: Untitled (similar to "Mountain Lake" from season 1, episode 10 of "The Joy of Painting" Dimensions: 18" x 24" Medium: Original Oil on Canvas Painting Year: c....
Canvas, Oil
$160,000
H 16 in W 20 in
Bob Ross Painting Signed Original Oil on 16x20 Inch Canvas with Bob Ross Inc COA
By Bob Ross
Located in Minneapolis, MN
Artist: Bob Ross Title: Untitled (Similar to "Peaceful Waters" from Season 3, Episode 13 of "The Joy of Painting") Dimensions: 16" x 20" Medium: Original Oil on Canvas Painting Year: 1979 Inscription: Signed and dated "Ross 79" in red, lower left front Executed in 1979, this untitled landscape by Bob Ross exemplifies the artist's early mature style, developed in tandem with the launch of his widely influential PBS series The Joy of Painting. Working in oil on canvas, Ross employs his characteristic wet-on-wet technique to construct a serene natural vista defined by crisp atmospheric transitions and controlled spontaneity. The composition is anchored by a distant mountain range rendered in cool blue and white tonalities, its snow-covered peaks receding into a softly diffused sky. This sense of depth is reinforced through the gradual modulation of color and value, a hallmark of Ross's approach to landscape painting. The foreground is articulated through a calm body of water bordered by clusters of evergreen trees and low vegetation, their forms built with economical brushwork and subtle textural variation. The reflective surface of the lake introduces a compositional counterbalance, mirroring the surrounding landscape while guiding the viewer's eye horizontally across the picture plane. Ross's use of framing elements—particularly the verticality of the trees at either side—creates a natural aperture, directing attention toward the central mountainous horizon and enhancing the illusion of spatial continuity. Though often associated with instructional painting, works such as this reveal a deliberate compositional structure and sensitivity to light, atmosphere, and balance. The restrained palette and clarity of form align with traditions of American landscape painting, while the immediacy of execution underscores Ross's pedagogical intent: to demonstrate that complex natural scenes can be achieved through accessible, repeatable techniques. The work is signed and dated "Ross 79" in red pigment at the lower left. Measuring 16 x 20 inches, the painting stands as a representative example of Ross's early output, bridging his role as both educator and practitioner within the broader context of late 20th-century American art. About Bob Ross Bob Ross remains one of the most recognizable figures in late 20th-century American art, celebrated for both his distinctive landscape paintings and his unprecedented impact on public engagement with painting. Best known as the creator and host of the long-running PBS television series The Joy of Painting (1983–1994), Ross produced thousands of original works, characterized by serene natural settings—mountains, forests, lakes, and skies—executed in his signature wet-on-wet oil painting technique. Ross's artistic practice emphasized accessibility, spontaneity, and technical efficiency. His method allowed him to complete fully realized compositions in a single sitting, a process that became central to his teaching philosophy and mass appeal. While often positioned outside traditional academic art circles during his lifetime, Ross's work has undergone significant reevaluation, with growing recognition of its cultural and artistic importance. In recent years, Smithsonian Institution has acquired original Bob Ross...
Oil, Canvas
The Old Mill by Maxfield Parrish
By Maxfield Parrish
Located in New Orleans, LA
Maxfield Parrish 1870 - 1966 American The Old Mill Signed and dated "Maxfield Parrish 1942" (lower left); Titled, signed and dated "The Old Mill / Maxfield Parrish / 1942" (en ver...
Masonite, Oil
Autumn Woods
By Maxfield Parrish
Located in New Orleans, LA
Renowned illustrator Maxfield Parrish is remembered today as one of the greatest American illustrators of the 20th century, and his oeuvre is as widespread and diverse as his audien...
Oil, Panel
Original design for end papers for "Arabian Nights"
By Maxfield Parrish
Located in Fort Washington, PA
Signature: Signed Initials Provenance: The artist. Austin Purvis, Jr., Philadelphia, Pennsylvania, acquired from the above. Ellen Purvis Thurneyssen, Lakeville, Connecticut, daughte...
Paper, Ink, Gouache, Pencil
The Old Mill
By Maxfield Parrish
Located in Fort Washington, PA
Medium: Oil on Masonite Sight Size 22.88" x 18.63", Framed 30.88" x 26.63" Signature: Signed and Dated Signed and dated 'Maxfield Parrish 1942' (lower left)--signed and dated again and inscribed with title and '#1348' (on the reverse). Although Maxfield Parrish consistently incorporated landscape elements into his compositions, it was not until the 1930s when he began to approach it as his primary subject. Painted in 1942, The Old Mill...
Masonite, Oil
Old White Birch
By Maxfield Parrish
Located in Fort Washington, PA
Medium: Oil on Masonite Sight Size 30.75" x 25.00", Framed 43.00" x 36.00" Signature: Signed Lower Left This piece was published as the illustration for a 1940 Brown and Bigelow calendar as Evening Shadows. While celebrated for his widely published illustrative works of fantastical subjects, Maxfield Parrish's true passion was capturing his surrounding landscape in bold tones and striking compositions. Although he experimented with landscapes throughout his career and incorporated elements into many of his commercial works, it was not until 1930, after he had achieved commercial success and financial security, that Parrish turned to paint exclusively landscapes without figures. While he relished his newfound artistic freedom, he continued to use his signature technique and palette that had won him much praise. This combination gave new life to Parrish's work, resulting in magical dreamscapes such as Old White Birch...
Masonite, Oil
New Hampshire Hills
By Maxfield Parrish
Located in Fort Washington, PA
Date: 1932 Medium: Oil on Board Dimensions: 23.00" x 18.63" Framed Dimensions: 33.00" x 28.63" Signature: inscribed MP Jr. No. 76. / Painted by Maxfield Parrish / Maxfield Parrish I...
Oil, Board