Maya SOKOVICH Figurative Paintings

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Impressionist Mediterranean Harbor Painting Port de la Selva Costa Brava Fishing Boats Oil Canvas Artist: Lazarotti Title: Port de la Selva Medium: Oil on canvas Dimensions: 60 × 73 cm (23.6 × 28.7 in) Signature: Signed lower right Inscription: Titled on reverse Frame: Unframed Condition: Very good condition. Stable paint surface with original impasto visible Origin: Spain Atmospheric Mediterranean harbor scene depicting Port de la Selva on the Costa Brava, one of the most picturesque fishing villages in northeastern Spain near Cap de Creus. The composition presents a lively shoreline animated by traditional fishing boats resting along the beach and floating gently across reflective harbor waters. Whitewashed architecture rises against the mountainous backdrop, creating a luminous contrast with the turquoise sea and expansive sky. Executed with confident impressionist brushwork, the painting captures shifting reflections and coastal light through layered strokes of blue, rose, ochre and soft green tonal transitions. The surface retains visible impasto that enhances depth and movement across the water. Mediterranean harbor paintings of this type are especially sought after for their decorative clarity, collector accessibility and strong interior presence, particularly within coastal and modern European painting collections. The inscription “Port de la Selva” on the reverse confirms the exact Catalan location represented. This work belongs to the Mediterranean impressionist...

A fantastic early painting from Kahn’s iconic barn series depicting Dr. Middleton’s property in West Brattleboro, VT. Here, Kahn turns a familiar rural motif into something hovering ...

“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...

Antique American modernist tropical landscape oil painting. Oil on canvas. Framed. Measuring: 24 by 28 inches overall, and 20 by 24 painting alone.. In excellent original condition....

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

Large Modernist Seated Nude, 1941 Oil Painting, School of Paris Figurative Work by Picasso’s Nephew Artist: Javier Vilató Ruiz Title: Seated Nude Date: 1941 Medium: Oil on canvas ...

Albert Heckman Woodstock Landscape Oil on board 12 x 16 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

Elegant Female Skier Portrait Alpine Scene circa 1930s Barcelona School Artist: Signed J. Barraguer School: Barcelona School Period: circa 1935–1945 Medium: Oil on canvas Signature: Signed lower right Support stamp: Casa Teixidor, Barcelona (verso) Dimensions: 61 × 50 cm (24 × 19.7 in) Frame: Unframed Condition: Good vintage condition consistent with age. Stable paint surface and fresh original colors. No visible restorations under normal inspection. DESCRIPTION Elegant alpine portrait of a female skier painted in Barcelona during the golden age of European winter tourism imagery, likely between the mid-1930s and early 1940s. The composition captures a refined winter sports aesthetic typical of pre-war Alpine visual culture, where skiing symbolized modernity, elegance and leisure rather than competition. The seated figure, dressed in a vivid blue jacket and striking red scarf, appears poised against a dramatic snowy mountain backdrop rendered with confident, atmospheric brushwork. The artist combines portrait sensitivity with poster-like clarity, creating an image that resonates strongly with the visual language of classic Swiss and French ski resort advertising from the same period. The palette is particularly effective: cool tonal snow fields contrast with warm facial modelling and bold accents of red, producing a balanced decorative presence ideal for interiors. The reverse bears a supplier stamp from Casa Teixidor, Barcelona, a well-known early twentieth-century artists’ material provider, supporting the proposed dating of the work. Today the painting reads both as a refined portrait and as an evocative example of early Alpine leisure imagery, making it especially suitable for mountain interiors, ski lodges, modernist homes or collectors interested in European travel culture of the interwar period. ARTIST BIO J. Barraguer was active in Barcelona during the first half of the twentieth century and worked within a pictorial language that bridges easel painting and illustration associated with the emergence of modern leisure culture in Europe. Artists of this generation frequently contributed to portraiture, decorative painting and tourism-related imagery that reflected the growing popularity of winter sports and Alpine travel between the 1920s and 1940s. Works such as this example demonstrate a confident handling of figure painting combined with a strong awareness of contemporary graphic aesthetics typical of the period. Paintings by Barcelona-based artists working in this hybrid decorative-figurative tradition are increasingly appreciated today for their ability to connect portraiture, design and early travel imagery within a single composition. Comparable in atmosphere to the refined Alpine winter imagery developed in Europe during the interwar period by artists associated with the golden age of ski resort poster design and leisure culture painting. The elegant treatment of the female skier and the stylized mountain backdrop resonate with the visual language found in works by artists such as Emil Cardinaux, Alex Walter Diggelmann, and Roger Broders, whose compositions helped define the iconic imagery of Alpine tourism between the 1920s and 1940s. The painting also shares affinities with the modern figurative approach to leisure subjects seen in Jean Gabriel Domergue, particularly in the refined depiction of fashionable female figures associated with elegance and travel culture of the period. Within the Iberian context, the work relates to the broader tradition of Catalan artists working between easel painting and decorative illustration during the early twentieth century, when winter sports imagery became part of the emerging visual identity of modern European tourism. female skier painting alpine skier portrait vintage ski painting...

John Steuart Curry Portrait of Kathleen Curry, the Artist's Wife, 1938 Signed and titled "Kathleen" lower left Oil on canvas 55 x 34 inches Provenance The artist Kathleen Curry, the...