McCain McMurray Paintings

A graduate from Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Cali...

Blush of Spring II captures a quiet moment of early bloom. Delicate pink buds and soft white petals emerge along slender branches, floating gently across a pale green background. The...

Not the visual expected of a painting carrying the title “Maine Farmer.” But this abstract composition manages to convey the flinty resolve of men who support their families on the output of demanding and “generally infertile” soils, as described by the University of Maine. Thank the Lord for blueberries. Artist Abraham Elterman bestrides two countries. He was born in Mexico City and spent much of his education in the sciences, here in sequence: a B.Sc. in Physics at the nearly 475-year-old Universidad Nacional Autonoma de Mexico in his home town; a stint at Hebrew University of Jerusalem; a Ph.D. in Biophysics at the University of California, Berkeley; and then, taking a new direction with a residency in The Skowhegan School of Painting and Sculpture located in Madison, Maine. Ah-ha, Maine! Elterman’s website lists 22 exhibitions in both Mexico and California, starting in 1986, and inclusion in group shows at the Monterey Museum of Art, Monterey, California and the Crocker Art Museum, Sacramento...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Paysage (Ref 21186) (Abstract painting) Oil on canvas - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediu...

John Heliker (American, 1909-2000) Still Life with Sugar Bowl Oil on canvas Signed lower right 39.75 x 39.75 inches 45.5 x 45.5 inches, framed Provenance: Private Collection Ypsilant...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Paysage (Ref 21186) (Abstract painting) Oil on canvas - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediu...

Red Earth an oil on canvas abstract landscape that shows the mountains and fields of Peter Rossiters much loved homeland. A checkered patchwork of the colours and shapes of this environment, an almost primeval place just slightly encroached upon and altered by the people who inhabit the borders. Peter Rossiter was born in Cambridge, UK in 1950 and studied at York University & The Courtauld Institute, London. Peter's background is rooted in the global art world; his Grandfather was the German artist Martin Bloch...

Colourful Expressive Abstract Seascape Landscape Painting with Dramatic Sky by Contemporary British Artist, Angela Wakefield. An impasto painting using palette knife and brush, using earthy pastel colours. Art measures 16 x 16 inches Frame measures 21 x 21 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios Collection. Initialled on the front of the canvas, signed on rear. Framed in a high quality off-white shabby chic...

“Cubist Reverie” is an original abstract composition by contemporary American artist Alena Kalen, executed in oil and mixed media on canvas. The work explores the relationship betwee...