Melanie Vote Art

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

'The Mill', watercolour and graphite on paper, adhered on canvas, by Louis Latapie (circa 1930s). A colourful wintery scene, the bare trees are like wireless ...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

About this work: “Sierra Heights, 1971” by Paul Grimm (1892-1974). A beautiful view of the Sierra Nevada mountains by Grimm, one of the most beloved painters of the California lands...

Maurice Brevannes (1901-1976) Man Seated on Front Porch, ca. 1930's. Ink on paper. Image measuring 13 x 18 inches on a sheet measuring 15 x 19 inches. Taped to matting board. Sig...

Rick Howell's "Untitled 2" is an original, handmade oil painting that depicts a snow lined stream reflecting the blue and rust colored shimmer of cold water melt flowing into the distance. About the Artist: Rick Howell's landscape paintings deftly fuse the influences of the Old Masters, the American Romantic Landscape movement, and the tonal colors, loose brushwork, and softness of form displayed in the Barbizon school. Howell’s art is notable for its poetic and atmospheric interpretation of the land, as derived from his direct on-site observations and impressions. A master of light, color, and shadow, Howell creates highly ordered scenes which consciously juxtapose hazy or blurred elements with sharp and refined details. A master of the tonalist landscape, Howell often utilizes the overall tone of colored atmosphere or mist to elicit an emotional response. Howell’s work demonstrates extraordinary sensitivity to time and place, to the endless variety of forms and colors of landscape in the Southwest, and to expressing the quiet contemplative beauty of nature, capturing the nuances of place through his use of subtle gradations of color and light. Howell often painted en plein air for weeks at a time, even in harsh winter months. While Howell was neither purely a realist nor an impressionist painter, his works convey both the earthly and the ethereal to capture the full essence of a locale as observed and felt on location. As a fourth-generation native of New Mexico, Howell had a deep connection with the Southwest; in particular, he drew considerable inspiration from the wilderness that surrounded his studio at the mouth of the Conejos Canyon in the Southern San Juan Mountains...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

William Crothers Fitler was born in Philadelphia and studied at the Philadelphia Academy of Fine Arts. He is best known for his tonalist landscapes of New York, Long Island and Conne...

The picture is framed in a wooden frame. Size in frame 65×51×3 centimeters. This landscape I saw in the park in the fall. Leaves and strong wind fell, leaves circling in the wind. Th...

Figurative landscape of Shaftesbury, Dorset, England by James Shearer (English, 20th Century). Presented in a giltwood frame. Signed "James Shearer" lower left. Titled "Shaftesbury D...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered in Künstler signature style showcasing his deep ...

All the palm trees IV, by Daniel Berman - Acrylic Paint - 70 x 56 cm - Contemporary, c. 2022 The pieces presented by Daniel Berman attract by the powe...