Michael Coleman Landscape Paintings

Alan Bray’s Neighbors is a masterful casein tempera painting capturing the quiet beauty of winter. Delicate, snow-covered branches contrast against a crisp blue sky, while two bird n...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

This charming rural winter scene of ice skaters fully displays Norman Rockwell's America, but it was painted by female artist Charlotte Joan Sternberg. She combines the mid-century A...

In First Light (2024), Alan Bray captures the quiet majesty of dawn over Spencer Pond, Maine. This luminous casein tempera on panel painting (15 x 24 inches) depicts a breathtaking s...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...

"Auto Service" (2025) is a striking handmade still-life oil painting by American realist Greg Gandy, depicting an older car in a bay at an auto service station. Artist Bio: Greg Ga...

As the artist states about this painting: "I first photographed this farm because it had one of the last living Elm trees in our area. Most began dying in the 70's and there are very...

Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design Reflecting on his art, Robert Vickery...

Victor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...

Serene and calm sky, ocean horizon, sunrise or sunset sky painting from American Realist Willard Dixon. A contemporary sky scape with clouds and etherial light. Like a window to a wide open, brilliant and warm sky, in blue, purple yellow and gold. Unframed and ready to hang and enjoy. The original painting is 42 x 40 inches. Signed in paint with artist initials front. And signed in pen with artist's signature, date and title, Verso. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), and the Metropolitan Museum of Art in NY, and the California Museum of Att in Oakland, CA. Willard Dixon Born Kansas City MO, 1942 Education Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and N.E.A. Fellowship Grant- 1989 Commissions California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90 San Francisco State University 1975 San Francisco Art Institute Realism Seminar 1974-76 Academy of Art College, San Francisco, CA 1973-74, 1976 California College of Arts and Crafts, Oakland, CA 1971-72 California State University, Hayward, CA One Man Exhibitions 2015 Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014 SFMOMA Artists Gallery, San Francisco, CA. 2008 SFMOMA Artists Gallery, San Francisco, CA. 2005 Fischbach Gallery, NYC,NY 2005 Dolby Chadwick Gallery, San Francisco, CA 2004 Fischbach Gallery, NYC, NY. 2002 Earl McGrath Gallery, Los Angeles, CA 2002 Bolinas Museum, Bolinas, CA 2001 Hackett Freedman Gallery, San Francisco, CA 2000 Fischbach Gallery, NYC , NY 2000 Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998 Hackett Freedman Gallery, SF, CA 1997 Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995 Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994 Fischbach Gallery 1993 Contemporary Realist Gallery 1992 Fischbach Gallery 1991 Earl McGrath Gallery, 454 North, Los Angeles, CA 1990 Fischbach Gallery 1989 William Sawyer Gallery, San Francisco, CA 1988 Gallery 454 North, Los Angeles, CA 1987 Fischbach Gallery 1987 Gallery 454 North 1986 William Sawyer Gallery 1985 Fischbach Gallery 1984 Harris Gallery, Houston, Tx 1984 William Sawyer Gallery 1983, 1982 Fischbach Gallery 1981 William Sawyer Gallery 1980,1979 Tortue Gallery, Los Angeles, CA 1976, 1975 William Sawyer Gallery 1973, 1972 William Sawyer Gallery Selected Group Exhibitions 2017 SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015 REAL / with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014 Stillness and Activity / A father and daughter exhibition. Gallerie Citi, Burlingame, CA. 2013 Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012 Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011 California: A Landscape of Dreams/ Fresno Art Museum 2010 Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009 On Beauty/ I. Wolk Gallery, St. Helena, CA. 2008 At Water’s Edge/ I. Wolk Gallery, St. Helena, CA. 2007 San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006 Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002 H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001 Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000 Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999 Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999 What is Art For? What are Museums For? What are You For?/ curated for the Oakland Museum by William T.Wiley & Mary Hull Webster, Oakland, CA 1998 Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996 Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996 Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996 New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995 Facing Eden: 100 Years of Landscape Art in the Bay Area/ De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein...

This is an important, large tempera painting of the sand dunes that line Michigan's coast. Zolton Sepeshy, who lived and painted in Michigan, also wrote a book on tempera painting. ...