Michael Muller Art

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

a series of images capturing the epic scale of the iconic landscapes of the American West Desert Daze by Frank Schott 48 x 64 inches / 122cm x 162cm signed edition of 7 30 x ...

Charlotte - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lig...

Venice , Limited edition archival pigment print , 2002 - Edition 2/5. This image was captured on film. The negative was scanned creating a digital file which is then printed o...

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

This striking monochromatic underwater nude photograph transforms the human body into an abstract study of light and shadow. The high-contrast black and white treatment captures dram...

In this hyper-detailed archival pigment print on watercolor paper, a moth with distinctive markings and a soft pink abdomen and lower wings is dramatic against a solid white backgrou...

Black and White Fine Art cityyscape - landscape photography. Reflection, Santa Maria della Salute, Venice, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated and ...

In this hyper-detailed archival pigment print on watercolor paper, a green moth with white spots is dramatic against a white background. Price shown is the unframed price. Edition ...

"Twilight, Kyoto, Japan" is a unique (one-of-a kind) photo-based mixed media sepia toned print with hand manipulation on hand-edged Japanese artist's...

Black and white fine art long exposure waterscape - landscape photography. Giant rocks on the sandy beach of the Atlantic coast in France. Archival pigment ink print as part of a lim...

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...