Michael Murfin Figurative Paintings

Nude Figure with Stool Against Blue Background Artist's study of a model in studio by Los Gatos, California artist Maryanne Z. Murphy (American, 20th century). Signed with initials ...

Woman Lying Down on White Cloth is an artwork realized by an Italian Artist in mid-20th Century. Oil on cardboard 24x34 cm. Good conditions.

Surreal botanical portrait painting with a miniature toy soldier, combining anthropomorphic plant forms, biophilic imagery and symbolic storytelling in a contemporary figurative comp...

Nude in the Studio, in Front of the Mirror - Portrait in Oil on Artist's Board Elegant seated nude woman by Pau Milosevich (American, b. 1936). A woman is seated in a studio, in fro...

Fluorescent ancestor clone portrait painting exploring identity, replication and symbolic ancestry through vivid botanical forms and contemporary figurative language. This original ...

Square botanical figurative portrait painting with eye patch, executed in acrylic on wood panel. This 60 x 60 cm acrylic on board painting belongs to Natasha Lelenco’s Fetiches seri...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintings that speak to the energetic female experience; one of individuality and inherent strength in femininity. There are endless floral arrangements capping the mysterious visages of beautiful women, capturing attention through a celebration of floral abstraction and wild, fanciful coloration. Lavish in application and luxurious in composition, Sally K.'s work is inspired by pop art, culture, and fashion. This original 10-inch high by 8-inch wide acrylic on canvas board painting is signed on the front and back. It is unframed and requires framing for display. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Sally K was born in Ohio following her family’s emigration from Lebanon. Shortly after her birth, her family moved to Saudi Arabia, where she stayed until she was 14. Sally attended high school and college in Beirut, where she graduated with a BA in Fine Arts with distinction from the Lebanese American University of Beirut. In 2013, Sally and her family moved back to the United States and she now paints out of her studio in California. The focus of Sally’s portraits is contemporary women. Her style merges characteristics of abstract expressionism with realism and portrait painting to convey not just the beauty of women, but their confidence and strength as well. They are alluring, flirtatious, and demure with an inspiring femininity that Sally describes as the “sensuality, independence, and confidence you see in strong women.” Sally’s portraits of women are intensely personal. “The women I paint are an extension of me, of what I feel, how I process my surroundings, my thoughts, my anger, my pleasure. They’re the confident strong women that I strive to be. Sometimes tough and daring, sometimes shy and reserved, but always self-assured and determined; they represent what captivates me in other women; the qualities I admire, and strengths that I strive to gain.” Sally draws inspiration from photography, pop culture and fashion as well as artists ranging from the pop art of Willem de Kooning and Jackson Pollock to the gilded florals and figures of Gustav Klimt. Her highly regarded paintings have been featured in group and solo shows in Beirut, Dubai, Italy, and the USA. Notable collectors include Jesse McCartney and Kelly Clarkson. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2024 Artspace Warehouse, Los Angeles, CA 2024 Affordable Art Fair, Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 “Identity with a Chance of Imperfection”, Artspace Warehouse, Los Angeles, CA 2022 “Saturate Euphoria”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY 2021 “Splatters of Life”, Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art Beat 2009 Lebanese Artists Association 2009 Gallery Surface Libre 2008 Lebanese Painters...

Claude Howard Stuart (British Contemporary) Nude I, circa 2020 Oil on board Signed lower right A striking contemporary composition by the British artist Claude Howard Stuart, depic...

Original oil painting on board. Hand signed lower front by Gevorg Yeghiazarian. Artwork size: 10 x 13.5 inches (visible artwork size in the frame). Frame size: 22.75 x 25.75 inche...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintings that speak to the en...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintin...