Michael Silver Figurative Paintings

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...

Chicago Modernist, William Schwartz, painted this intimate painting of a woman reading titled On the Beach. He studied at the Art Institute of Chicago shortly after emigrating to th...

"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...

ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Pastel or Gouache on paper Hand signed lower right Dimensions: framed 20.5 X 23.5. im...

“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...

An original illustration by Cuban artist Andres Garcia Benitez which was used for the cover of the iconic Carteles magazine in November of 1938. ...

Oil on cardboard with collages + white frame Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang &a...

Joseph LÉPINE (Rochefort 1867 – Paris 1943) The Church of Caillac - Lot Oil on cardboard H. 33 cm; W. 41 cm Signed lower left Joseph Lépine quickly moved to Bordeaux, where he studied under Louis-Alexandre Cabié, a well-known landscape painter in the region and teacher of many early 20th-century artists. Despite the master's warnings, he sought to confront the Parisian modernity of the late 19th century and discover Impressionist and even early Post-Impressionist styles. There, he became a student of the neoclassical painters Courtois and Girardot, both former students of the great Jean-Léon Gérôme. In 1897, he exhibited at the Salon, where he sent landscapes of Provence. He became a member of the Société des Artistes Indépendants in 1905, the same year that the Fauves Matisse, Derain, and Vlaminck participated in and became known at the Salon d'Automne. A purchase by the French government of the 1908 Salon des Indépendants, "Vieille boutique," now housed at the Menton Museum, officially launched his career. He exhibited that year in London at the Royal Albert Hall, at the invitation of the Allied Artists' Association, demonstrating the painter's distinguished status within the international art scene. In Paris, the artist met several well-known painters of the time in the Montmartre and Montparnasse neighborhoods, including Matisse and Signac. His painting is based in particular on his approach to material, light, and color, whose juxtapositions present a play of saturation and composition based on apparent reserves. After the First World War, Lépine returned more to his home region, where he painted landscapes around Bordeaux and up the Dordogne River to the charming landscapes of the lower Corrèze. He painted Beaulieu-sur-Dordogne, Argentat, and also the Lot region, with the built-up escarpments of Saint Circq Lapopie. The city of Bordeaux and the French government acquired two of his works, representing a landscape near Verdelais and a view of the Saint-Michel Church in Bordeaux, in 1939 and 1941. Considered today a very important figure in Bordeaux painting...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...