Michael William Eggleston Abstract Drawings and Watercolors

Al Hirschfeld Original (unique) Self portrait drawing, 1976 Hand signed ink drawing, on typewritten letter with envelope Hand signed in Hirschfel...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-308 Hand-signed by author

Late Art Deco Period, Cubist watercolour of a nautical harbour scene painted by Yan Bernard Morel (dit Yan Bernard Dyl ) in 1939. Yan B. Morel, born on June 18th 1887, was a French painter, landscape designer, decorator, illustrator and film maker. Morel was a friend of Robert Delauney...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, espe...

An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Hermes". The drawing is exec...

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Michel Debiève was born on May 29, 1931, with his twin brother Raymond, in a popular suburb of Maubeuge (North of France). Very early, encouraged by Emile, their father, the two brot...

double-sided c.1950's drawing by Spanish artist, Federico Castellon (1914-1971). Ink on wove paper, sheet measures 10 x 13 inches; 21.5 x 24.5 inches in wood frame. Excellent condition with no restoration or damage. Signed with artist's chop in red ink seal that he used in Asia. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, SpainDeath place: New York, NYAddresses: NYC (immigrated 1921; citizen, 1943)Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGAWork: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

A graphite on paper, untitled mural study, Cubist scene of a rail yard by important Chicago Modernist artist Rudolph Weisenborn, ca. 1940. Artwork size: 11 3/4" x 9 3/4". Archivally matted to 16" x 18". Provenance: Estate of the artist. Rudolph Weisenborn was born in Strassburg, Germany in 1881, but was orphaned at the age of nine. He was taken-in by Mid-Western farmer Thomas Westaby and spent his early years in Wisconsin, Iowa and North Dakota. Weisenborn first attended the University of North Dakota in 1898, then the Students School of Art in Denver. Various accounts have him working out west as a gold miner and cowboy. Around 1912, he settled in Chicago and worked as a window designer for Marshall Field’s. Weisenborn is best known as the founder of the Chicago No-Jury Society of Artists. The group was founded because many artists could not get their work accepted into the mainstream Art Institute shows. Weisenborn is quoted as saying that he harbored feelings of disdain for any jury and that his own paintings were frequently rejected by conservative jurors. He was also involved and helped found other radical artist’s groups such as the Salon des Refuses, Cor Ardens and Neo-Arlimusic. In 1936, he helped found the New York-based American Abstract Artist’s Group. He created the only abstract mural for the 1933 Century of Progress Exhibition in Chicago and also worked for the Federal Arts Project in the Easel Division. His WPA murals can be found in Crane Technical High School and Nettlehorst Elementary School in Chicago, IL. In 1945, Chicago businessman Herman Spertus...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on Japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-311 Hand-signed by author

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

graphite on paper in vintage wood frame with gold detail 8 x 20.5 inches unframed 12 x 24.5 x 2 inches framed This contemporary, horizontal, black & white graphite work on paper w...