Michel Liebeaux Art

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Linen backed original of the official event spectacles of Paris, promoting Moulin Rouge, Salome, Musee Grevin, Sarah-Rita, Madame Butterfly, Carmen, La Vie de Boheme. Orignial in ex...

Klimt (After), Gustav Aus dem Stoclet-Fries: Erwartung, 1931 Original collotype on Japon paper 19 x 18 in. Gustav Klimt: An Aftermath Published by Max Eisler and printed by the Aus...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

Rare and beautifully framed authentic 1895 Cycles Clément Paris lithographic poster featuring a stylized cyclist portrait and bold Art Nouveau typography, complete with certificate o...

Created in 1895, “May Milton” is one of the most celebrated images by Henri de Toulouse-Lautrec, a master of the Parisian Belle Époque and one of the pioneers of modern poster design...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...

SATTLER, JOSEPH (1867 - 1931) "Pan" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #17, 1897...

Adolphe Leon Willette (French, 1857-1926) "Le Courrier Français Illustré / Dans Tous Les Kiosques" English translation: "The Illustrated French Courier / In All Newsstands" Le Cou...

L'Hippodrome Grand Championnat du Monde des Luttes Libres Original antique vintage poster. Mounted on acid free archival linen. L'Hippodrome - ...

Original stone lithograph KOLA MARQUE, created by the artist Jules Cheret in 1895. Size: 16" x 23.5". Professional acid free archival linen backed and ready to frame. Full boarders. Printer: Chaix. Jules Cheret is known as the father of the poster helping bring color printing to the world. Kola Marque. Tonique et Aperitif. Stimule forces physiques et intellectuelles. It indicates that if you drink this it helps give you physical and intellectual stimulus. In addition, it is served in all the local cafes and restaurants. I haven't found a breakdown of what 'special' ingredients in this liquor would make you feel and think so much better. Condition. This 1895 poster...

Paul Wunderlich Altweibersommer 1982 Color Lithograph on B.K. Rives Edition: 381 of 400 Image Size: 8 × 18.25 inches (20.32 × 46.36 cm) Mat Size: 17 × 27 inches (43.18 × 68.58 cm) Signed and numbered in pencil Paul Wunderlich (1927–2010) was a German painter, printmaker, and sculptor, widely recognized for his refined, often enigmatic figurative compositions. A key figure in postwar German art, Wunderlich developed a highly distinctive visual language that blends elements of Surrealism, Symbolism, and Art Nouveau with a strong emphasis on line, form, and surface. Closely associated with the Hamburg University of Fine Arts—both as a student and later as a professor—Wunderlich gained early recognition for his lithographic work. His career, however, was not without controversy; in the early 1960s, some of his prints were temporarily confiscated due to their erotic content, which at the time was deemed provocative. This tension between sensuality and restraint would remain a defining characteristic of his oeuvre. Wunderlich’s work frequently centers on the human figure—particularly the female form—rendered with elongated proportions, smooth contours, and a sculptural precision that borders on the idealized. His compositions often evoke mythological or allegorical themes, exploring dualities such as beauty and danger, intimacy and distance, and control and vulnerability. The surfaces of his works are typically polished and highly controlled, reflecting his exceptional technical command. As a printmaker, Wunderlich achieved particular mastery in lithography, producing richly layered images with subtle tonal gradations and crisp, elegant line work. His editions are widely collected and remain an important part of the European printmaking tradition of the late 20th century. Paul Wunderlich lithograph...