Michel-Marie Poulain Art

Italian painting dated 1980. Oil painting on canvas signed Ferruccio Rosini (Livorno painter born in 1932) depicting a seascape in impressionist style, without authentic. Beautifully...

This painting is an oil on canvas. It represents small boats near a nice bridge on a river in a French town. This painting is signed. This is a work, circa 1960.

Antique Oil on Canvas Seascape Painting C1890. Measures - 13.5"H x 20.25"W x 3.25"D. This fine antique oil on canvas seascape painting, circa 1890, features a dramatic depi...

For FULL item description click on More Details Below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can usually ship it for less and get it to you faster. Click on "Ask The Seller" and send us your zip code for a quote. Offering one of our recent Palm beach estate fine art acquisitions of a huge framed...

Painted circa 1885, the artwork on canvas is set in the original carved gilt wood frame; the scene illustrates the picturesque, ocean-front landscape of the "Port de Marseille", in ...

French vintage 20th century framed oil on canvas painting of a seaside harbor in an exotic locale of indeterminate time and place. The scene is dominated by a large schooner whose sa...

This oil on canvas painting, signed Silvio Rotta in the lower left corner, is a captivating depiction of daily life in a modest family, probably dating from the late 19th century. Th...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Vintage mid-century modern oil on canvas Seascape Painting. Painting features a calm tranquil coastal scene with sailboats docked in a marina. All in soft colors of blue, green and w...

Nude with Drape, c. 1937, oil on board, 24 x 17 (oval), signed lower right, provenance: Frances Lee Kent Falcone Family Trust About the Painting Fletcher Martin’s Nude with Drape ...

Mid-19th Century Chinese School Seascape Painting, View of Boca Tigris. Oil on Canvas, in Giltwood Frame. Painting depicts a tranquil harbor scene in the style of Chinese Export trad...

Oil mesures 36x23 cm. Frameless. Restored.