Michel Patrix Abstract Paintings

Antique American modernist abstract oil painting. Oil on board. Signed. Framed. Image size, 7L x 5H.

Icy Winter Size: 44 x 52 cm (including frame) Oil on canvas A beautifully ethereal mid century modernist winter landscape scene, painted in oil onto canvas. This semi abstract land...

In this abstract fusion of acrylic and ink, I sought to evoke a deeply introspective journey. The intertwining elements within this painting represent the complex layers of emotion a...

Inspired contemplative, warm cream, bronze abstract Impressionist diptych painting created in homage to the composer Rachmaninov, Sublime 'Rachmaninov “Letter to Sergei" is compris...

Untitled 02, 2017 Black adhesive and black oil painting on canvas (Signed on reverse) 17.71 H x 13.77 W in 45 H x 35 W cm The work 'Untitled 01' is part of the current exhibition “...

The Micro&Macro series is an abstract and semi-abstract works where the main focus is on form , energy expressed through form, movement and color. Another world what is it ? It can ...

"Snowy Mudslide" features the central, gold leaf circle found in Yuri Figueroa's oil paintings. The geometric gold leaf circle is surrounded by layered oil on canvas. Yuri builds tex...

Rolf Stoll, (German/American, 1892-1978) Signed: Rolf Stoll, (lower, left) “ After the Symphonic Poem, " Verklarte Nacht ", by Arnold Schoenberg ", (titled on stretcher verso) Circ...

This small oil painting featuring hues of pink, yellow, navy and white. Athens, Georgia-based artist Carol John received a BFA from the School of Visual Arts, in New York in 1986. F...

Abstract ,symbolic and decorative painting . Shape , movement and colour that creates one fantasy world.Working on abstraction is often very intuitive and sometimes the artist has ...

Signed lower right, 'M.S. Bremer' for Marlene Bremer (German-American, 1937-2018) and painted circa 1995. Additionally signed, verso, 'Marlene Bremer'. ...

"Reader in a Lawn Chair" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...