Miriam Bromberg Art

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

"Spirit" a bold and thoughtful cubist oil on canvas was painted in December of 2001 by African American artist William (Bill) Cooper. William Y. Cooper was a writer, painter, muralist, illustrator, and art teacher. He moved to Western New York in 1954 from Birmingham, Alabama, to pursue work, and Buffalo has been his home ever since. In 1975, he received his Bachelor of Fine Arts degree from the University at Buffalo; he was also a state certified art teacher. Cooper woked primarily in oils and acrylics, but also creates drawings on paper. He has painted several commissioned murals and has had more than fifteen one-man shows in Western New York and Ghana, West Africa, and has participated in more than twenty-five group exhibitions since he began his professional career in 1969. His paintings and drawings address both his African heritage and his experience as an American through symbolism and metaphor. He observes, “I am an Afrocentric artist. My worldview is rooted in an African frame of reference and a deep, abiding sense of the creator from whence I draw my inspiration, strength, and a sense of who I am. The use of symbols allows me to explore literal ideas.” Among Cooper’s published works are two children’s books, 77 Jackson Street, Rear and Nakai and the Red Shoes, and a novel for adults, The Mopane Tree. Cooper founded the Afrocentric Artists’ Collective and ran the organization from 1979 to 1981. In 2013 he was designated a “Living Legacy” artist by the Burchfield Penney Arts Center, the latest in a series of honors which has also included awards from the Arts Council of Buffalo & Erie County, the New York State Council on the Arts, and Alpha Kappa Alpha...

James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

This exquisite acrylic painting on paper draws inspiration from the modernist masters of the 1950s, 60s, and 70s, featuring a refined composition of organic, gem-like shapes. The art...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

In this abstract landscape, artist Geneva Cross conveys the mood of a dreamlike summer evening that might be remembered by any of us in its universality. Blending the basic elements ...

Coral Bouquet - Abstracted Underwater Scene in Acrylic on Masonite High contrast abstract composition by an unknown artist (20th Century). Vibrant scene composed of abstract shapes ...