Molly McCall Mixed Media

Kate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...

Brighton 27 - Platinum Palladium print over silver on vellum paper - Edition 1 of 8 , plus 2 AP ( size 1 ) An old Harley Davidson motorcycle in front of a gas station garage in Br...

By photographer Burt Glinn a black-and-white vintage gelatin silver print of Editor-in-chief Hugh Hefner who wrote for his magazine, Playboy. An historical photo...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, black, natural white archival Passe...

'Sun 45', from Richard Heeps Dream in Colour series. Captured in a classic Airstream RV featuring everybody's favourite Johnny Cash song 'I Walk the Line'. Primarily known as a colo...

Black and white fine art photography Gerald Berghammer. Silver Gelatin Prints, Selenium Toned, Printed 2017. Limited Edition 3/20. Signed, numbered, dated by Artis. Handmade wood fra...

A vintage print by Helmut Newton, dating back to the year 2000, bearing original stamps on the verso and accompanied by a certification of authenticity issued by Davide Manfredi, for...

© Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archi...

Brighton 27 - Platinum palladium on vellum with silver leafs Signed and numbered edition of 8 plus 2 AP with certificate of authenticity, unframed. The rarity of this type of p...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

Albert WATSON (*1942, Scotland) Kate Moss, Frontal Nude 2, 1993 Special Gelatin Silver Print Sheet 61 x 51 cm (24 x 20 1/8 in.) Edition of 10 plus 2 AP's; Ed. no. 10/10 – from sold o...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...