Mosche Bianche Serving Bowls

Beautiful silver plated sauce bowl with fixed saucer by the French brand Christofle. This bowl is from the Malmaison series. The bowl looks like it has hardly been used, it is in top...

From its very first year in 1964, Seletti in Cicognara, Mantova, has followed its principle of professionality service and constant research to strive for betterness innovation and o...

Fantastic handmade salad serving bowl. The perfect piece for making a bold statement, this large ceramic salad bowl is great for functional use or as beautiful decoration in your home. Use it for serving your favorite salads, keeping your weekly fruits out on the counter or as decorative centerpiece bowl. Each serving bowl is glazed by hand in a matte glaze with hand painted black splatters that resemble Pollock’s artistic work. Because of their handcrafted nature, all salad bowls are one-of-a-kind and hand washing is recommended. Try combining it with our dipping and cereal bowls from the Rock Collection to create your own unique handcrafted splatterware set...

Handmade and hand painted ceramics from one of the mother countries, Portugal, these beautiful pieces for your table will add a modern touch and are perfect to mix and match. This bo...

Twosidestory bowl by Lisette Rützou Dimensions: D 20 cm Materials: Onyx Lisette Rützou’s design is motivated by an urge to articulate a story. Inspired by the beauty of materia...

From its very first year in 1964, Seletti in Cicognara, Mantova, has followed its principle of professionality service and constant research to strive for betterness innovation and o...

Memory, made in Red Levanto marble, designed by Cristiforo Trapani Contemporary chefs love to construct their culinary creations to enhance their impact; it’s not difficult therefore, to imagine they also love to create the props. Cristoforo Trapani, chef of Magnolia, the stellar restaurant at the Hotel Byron in Forte dei Marmi, has translated his culinary creativity to design. These two worlds meshed instantly: at the table or on a sideboard, his tiered cake stand PRE, hosts sweet and savoury finger food to be offered to guests in a creative and unexpected way. The bread basket of the Apuan Alps, in white or black marble, is ready to cradle the great Italian bread making tradition; the artichoke brazier is his chef-d’œuvre, and the soup tureen, are all objects of a simple cuisine that is redolent of lemons, sea and sun. They are not limited to functionality, but gleam with the marble’s calcite. From stellar kitchens to the table. The Memory bowl...

From stellar kitchens to the table. The Memory bowl is an ancestral reminder, a symbol of the vital relationship between people and food. As necessary as i...

Synonymous with luxury, caviar is a great gastronomic indulgence that requires to be served and tasted in a proper way. Handcrafted from Venetian glass, our caviar bowl is distinguis...

This is a Herend Porcelain Queen Victoria Pattern Salad Bowl. It depicts a square bowl decorated with colorful small bouquets of flowers and but...

Beautiful cream and blue stoneware bowl with blue painted lines around the edges. Marked on bottom. Dimensions: 10.5" diameter 4.25" Tall.

Decorative pan for aperitif by Jean Despres, France, circa 1950. Silver-plated metal piece with a hammered handle, and decorated at the base of a flat link chain. The plating is original. Dimensions : H 1.93 in. x W 8.15 in. x D 4.3 in. - H 4.9 cm x W 20.7 cm x D 10.9 cm. Signature incised "J.Després" under the handle and hallmark "JD" with an Amphora in the center (see photos). Jean Després, born June 15, 1889 in Souvigny (Allier), and died in 1980 in Avallon (Yonne), is a French goldsmith, creator of jewelry, objects and furniture of Art Deco style, specializing in the work of the silver.Jean Després was born into a descendant family of master glassmakers, Després de Loisy, and glaziers, Turlin. The family moved in Avallon in 1890 to open an articles of paintings and art store at no. 27 rue de Paris and then at no. 20 place Vauban.He attended school and college in Avallon without being a very bright student. His passion was cycling and competitions. He obtained his patent in 1905. His father placed him in apprenticeship with a friend, goldsmith in Paris in the Marais district.At the same time, he completed his training by following the drawing classes in the schools of the city of Paris and frequented the Bateau-Lavoir, where he met Amedeo Modigliani, Pablo Picasso, Paul Signac, Giorgio De Chirico, Marie Laurencin, Chaim Soutine, Maurice Utrillo and Georges Braque, whom will be his best friend. He is passionate about cubism.During World War I, Jean Després was assigned as a draftsman mechanic in the workshops of the military aviation. This double experience will durably mark him and feed all his work. He participated in the Art Deco movement. He had many friends in the avant-garde of the time, such as Paul Jouve or Maurice de Vlaminck.In the 1920s and 1930s, he took over his parents' store in Avallon and set up his studio where he created motor jewelery, whose pure forms inspired by aeronautical mechanical parts were part of the avant-garde movement. Craftsman of metal, gold, silver, tin, Després shaped material, invented new forms. Like his contemporaries Marcel Sandoz or Raymond Templier, he was one of those pioneers who renounce the codes of high jewelery and the use of precious stones. He participated, with the help of Paul Signac, in his first Salon des Indépendants in 1926.He also participated in the revival of the forms of goldsmithing by removing the classic ornaments, to create pieces with massive shapes, silver, pewter, usually silver metal, everyone recognizable by its hammered appearance.In 1935, he took care of the Art and Fashion Gallery at No. 39 rue du Colisée in Paris. In 1936, he married Simone Delattre, painter and decorator on embroidered fabrics. He was rewarded by the Aeroclub which awards him a gold medal in 1937. These works were beginning to be known abroad. The following year, he was named Knight of the Legion of Honor. He run his gallery and kept his studio in Avallon. In 1940, he was President of the Goldsmiths' Union, a professional delegate for artistic protection at the international jewelery-goldsmith's office. He was the goldsmith's rapporteur on the awards commission of the Society for the Promotion of Art and Industry.In 1943, he came to live on rue de La Trémoille in Paris, where he had a shop at the same address. Among his friends, he counted Pierre Vigoureux and frequented Jules Cavaillès, Worms, Peltier, Lalique, Robert and Sonia Delaunay, Fernand Léger and many others. He counted Josephine Baker among his famous clients.After the war, Jean Després will expose several times, with the support of the State, in different foreign countries. In 1972, he offered the city of Avallon sixty-eight of his works. EXHIBITIONS 1925: Museum of Decorative Arts in Paris, with Rose Adler and the painter Étienne Cournault 1925: International Exhibition of Decorative Arts 1926: Salon des indépendants 1928: Salon of the Societe Nationale des Beaux-Arts 1928: Salon des Artistes-Decorateurs 1930: Union des Artistes Modernes, at the Pavillon de Marsan, he exhibits surrealist jewelry...