Mr Doodle Prints and Multiples

Large scale interior photograph of conceptual vignette with dark red velvet curtain and white Carrara marble floor Standing Ovation (2016) by Frank S...

Artist: Dan May (American, 1955-) Title: "Cat with a Habit" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Lim...

Cathedral of Christ the Savior. 1989, paper, screen print, 60x32.5 cm

Mark Drew is an acclaimed artist known for his unique fusion of music and visual art. Hailing from a background deeply rooted in the world of hip-hop and urban culture, Drew brings h...

Inspired by 18th-century aesthetics and philosophy, Josh Keyes paints animals in a style reminiscent of anatomical diagrams. His work is characterized by an attention to detail and t...

Edition Details: Year: 2020 Class: Art Print Status: Official Run: 250 Technique: Screen Print Paper: 300 gsm Somerset Satin Paper Size: 31.5 X 27.5 Markings: Signed & Numbered A st...

Screenprint Edition 119 of 125 Signed on the accompanying COA and numbered on the back Excellent. Minor soft creasing in bottom left and right and top middle of print. Please note ...

Artist: Dan May (American, 1955-) Title: "Dogs and Bones" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Limited edition: 15/25 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 34.13" x 29.88" Image size: 25.88" x 24" Condition: Some moderate edge wear around, and heavy wear with a repaired tear at lower right corner. In otherwise good condition with strong colors and clean paper. Will look great once framed and with its marginal imperfections covered Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Large scale photograph of elegant interior view of the French revolutionary ballroom in the Villa Napoleone in Elba, Tuscany. Napoleon Bonaparte II (2025) by Frank Schott 48 x 72 i...

"Wrapped Horse, Project for Neo-Dada, Wrapped Musee D'Art Moderne de la Ville de Paris" screenprint and collage by artist Christo from the "Kinderstern" portfolio, published in 1989 ...

Mickalene Thomas (b.1971) is an American artist exploring the intersection of popular culture and art history, through a contemporary Black female gaze. As an openly gay Black woman,...

Shepard Fairey Chaos Mandala 2 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. Chaos Mandala 2 is the follow-up to Shepard Fairey’s earlier Chaos Mandala print and continues his exploration of the tension between disorder and balance. In this composition, Fairey merges two seemingly opposing ideas—chaos and harmony—drawing inspiration from the layered visual environment of urban streets. Posters, graffiti, and fragments accumulate over time only to be torn, weathered, and reshaped by human intervention and natural forces. For Fairey, this evolving process reveals an unexpected beauty within impermanence and the countless variables that shape the urban landscape. The artist frequently attempts to recreate the textured layering of street surfaces within his studio practice, using patterns, collage, and distressed backgrounds that echo the aesthetic of urban walls. In contrast, the mandala functions as a symbol of harmony, wholeness, and cosmic order. The work reflects a philosophical duality rooted in Buddhist thought, where the pursuit of harmony coexists with the acceptance of impermanence. The tradition of Buddhist monks creating and then dismantling intricate sand mandalas serves as a poetic metaphor for this balance. As a complementary counterpart to the earlier Chaos Mandala, this print continues Fairey’s meditation on the coexistence of destruction, renewal, and visual equilibrium. Chaos Mandala 2 print, Shepard Fairey mandala...