Nancy Cohen Mixed Media

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Davidoff is influenced by her close connection to nature and by what she calls, “the spirit of investigation and observation of the natural world.” Her work explores themes of struct...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

The painting is being offered with a work and authenticity certificate

A magnificent work in Indian ink and "levi" ink, counter glued on strong paper and accompanied by a certificate from the Zao Wou-Ki Foundation. Zao Wou-Ki was born in Beijing on 1 F...

"This Monkey Pod VSE (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Reyna Each piece is a stencil painting with letterpress lantern images glued in position to add an additional dimension to the art. The price difference between the two variable editions is because of the greater technical and labor-intensive demands of the red and gold version. A portion of the proceeds from these stencil pieces will go to the NRDC to support their efforts to improve environmental regulations and policies. I originally made the Monkey Pod image based on a tree on the grounds of The Contemporary Museum in Honolulu, where I completed a residency back in 2005. I was presented with a unique conundrum: Hawaii doesn't have outdoor advertising, which my street art was designed to compete with and make people question. After visiting Hawaii, I realized that the primary form of propaganda was not advertising but the cliches of Hawaii itself: Coke machines...

"Moving Inside Out" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), Bamboo, Encaustic Wax, Steel...

'Mirror 46' 2021 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 30 x 40 in. Tran's ‘Mirror’ series, is heavily influenced by her history ...

With its extra-large dimension and joyful composition this painting by American artist Martha Holden is a rare piece. It is a contemporary abstract that ...

Full title: Wakening of Love and Comfort. The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese s...

Pigment & acrylic on rice paper