Nanda Vigo Dining Room Sets

Set of four black and clear Lucite sculptural dining room chairs, 1970s.Original thick transparent and black Lucite sculptural design.The chairs are extraordinary and in good vintage...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

The Tulip chair, designed by Eero Saarinen in 1956 for Knoll International, is a key piece of mid-century modern design. Saarinen aimed to create a chair that removed the clutter of ...

Set of ten “Sapporo” dining chairs, designed by Mario Marenco and produced by the Italian manufacturer Mobilgirgi in the 1970s. They feature a walnut briar structure and a brown leat...

Set of 8 wooden and brown leather chairs by Mario Marenco. Model: Sapporo. Seat Height: 47 cm. Wear due to time and age FOR SHIPPING, REQUEST US FOR RECEIVE THE BEST PRICE

Very nice dining room set by Giotto Stoppino from the 1970s in Italy. This set consists of a dining table and four matching dining room chairs. The table has a tubular, chrome-plated...

Set of 4 Monk Dining Chairs by Afra & Tobia Scarpa for Molteni, 1970s

Set of four “Sapporo” dining chairs, designed by Mario Marenco and produced by the Italian manufacturer Mobilgirgi in the 1970s. They feature a walnut briar structure and a brown lea...

"Spoleto" chair for Knoll International, Made in Italy, 1970. Extraordinary Chair with chromed steel tubular frame and brown leather seat, ORIGINAL. This seat was one of the first pr...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in fuchsia or blue faux fur. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

Set of 6 chairs in black leather and wood designed by Afra & Tobia Scarpa. Model: Monk. Seat height: 43 cm Wear due to time and age of the chairs. FOR SHIPPING, REQUEST US FOR RECEIV...

Nanda Vigo “Top Series” chair in mirrored glass for FAI International, Italy 1970s. Architectural design composed of a clear mirrored-clad cubic frame with a warm saturated brown vel...